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普拉迪普·蘭加納坦,Mamitha Baiju,R. Sarathkumar,羅希尼,赫里杜·哈龍,Dravid Selvam亂馬OVA特別篇無差別格斗對鳳凰
山口勝平,林原惠美,日高范子,高山南,井上喜久子驚變28年2:白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫斯托,Elliot Benn出賣她的肉體
弗里達法瑞爾,加布里埃爾·奧爾德斯,馬修·馬斯登燭影危林
卡羅琳·麥柯米克,喬爾·托貝克,里?!ね邆惗?/span>屋中異蛛
艾莉拉·布朗 , 佩內(nèi)洛普·米契爾 , 瑞安·柯爾 , 希薇婭·克洛卡 , 杰梅因·福勒 , 諾妮·哈澤赫斯 , 羅賓·奈文 , Tony J Black , 阿爾西拉·卡皮奧 , 丹尼·金 , 羅蘭·福爾摩斯死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????同系列推薦
兩個心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun自拍復(fù)印機
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達瑪拉惡魔的破壞 前篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,諏訪部順一,津田健次郎灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins亂馬12:決戰(zhàn)桃源鄉(xiāng)!奪回新娘子?。?/h3>山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關(guān)俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
斯克魯奇:圣誕頌歌
《斯克魯奇:圣誕頌歌》改編自1970年由阿爾伯特·芬尼主演的故事片,由傳奇作曲家兼作詞人萊斯利·布里庫塞創(chuàng)作。這部CG動畫將于2022年12月在Netflix首播。