骯臟的美女護(hù)士11號(hào)

評(píng)分:4.4 播放:52萬 更新:2026-04-28
主演: ??? ?? 

講述一位日本男主播在醫(yī)院住院,向網(wǎng)友直播撩撥護(hù)士小姐姐并成功拿下的故事....

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杰森·莫瑪,瑪洛·巴克利,凱爾·錢德勒,克里斯·奧多德,茵地亞·德·比尤福特,亨伯利·岡薩雷斯,托尼婭·科妮斯,韋魯切·歐皮亞,凱特琳娜·塔克西亞,邁克爾·布萊克,杰米拉·羅斯,張振熙,Luxton Handspiker,Sergio Osuna,Cameron Nicoll

  《沉睡之地》將觀眾帶到了一個(gè)神奇的新地方,在這個(gè)夢(mèng)幻世界里,人小鬼大的尼莫(瑪洛·巴克利飾)和她古怪的同伴弗利普(杰森·莫瑪飾)開啟了終生難忘的冒險(xiǎn)之旅。父親皮特(凱爾·錢德勒飾)意外在海上失蹤后,小尼莫在西北太平洋田園般的生活被徹底顛覆,她被送到城市,和她心地善良卻極其笨拙的叔叔菲利普(克里斯·奧多德飾)一起生活。她的新學(xué)校和新生活在白天充滿挑戰(zhàn),而到了晚上,一張通往沉睡之地奇幻世界的秘密地圖讓尼莫和弗利普建立了友誼。弗利普是一個(gè)性格粗暴但有點(diǎn)可愛的不法之徒,是尼莫的同伴和向?qū)?。尼莫和弗利普很快便踏上了一段穿越?mèng)境、逃離噩夢(mèng)的不可思議的旅程,并開始希望她能再次與父親團(tuán)聚?!  冻了亍酚筛ダ饰魉埂趥愃梗ā段沂莻髌妗贰娥囸I游戲 2:星火燎原》《饑餓游戲 3:嘲笑鳥》)執(zhí)導(dǎo),大衛(wèi)·蓋恩和邁克爾·漢德爾曼(《博物館奇妙夜 3》)擔(dān)任編劇,彼得·切寧、詹諾·托平、戴維·雷迪和弗朗西斯·勞倫斯共同擔(dān)任制片人。該電影主演還包括韋魯切·歐皮亞、茵地亞·德·比尤福特和亨伯利·岡薩雷斯。

羅伯特玩偶的復(fù)仇

Lee Bane,Harriet Rees,Judith Haley

  在納粹德國,玩具制造商擁有一本神秘的書籍,賦予無生命的生命。在躲過希特勒命令取回書的黨衛(wèi)軍之后,這位玩具商登上了一列火車企圖逃離該國。認(rèn)為他很清楚,玩具制造商很快就發(fā)現(xiàn),一批高級(jí)納粹軍官也加入進(jìn)來。最終,他的秘密被揭露出來,納粹關(guān)閉。但是,玩具制造商已經(jīng)使用這個(gè)神奇的東西來帶來一個(gè)名叫羅伯特的復(fù)古娃娃來生活 - 而羅伯特將毫無阻礙地保護(hù)他的主人。所以,當(dāng)玩具制造商和殺手娃娃拿起納粹時(shí),就開始了一場(chǎng)血腥的戰(zhàn)斗。這是對(duì)死亡的一場(chǎng)戰(zhàn)斗,只有勝利者才會(huì)在下一站下車。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

落葉球

David Koberidze,Otar Nijaradze

  攝影師麗莎突然失蹤。最后的線索指向她拍攝過的七個(gè)足球場(chǎng)——它們散落在格魯吉亞七個(gè)偏遠(yuǎn)村莊。父親伊拉克利踏遍這些球場(chǎng)尋女,麗莎的摯友、如幽靈般的列瓦尼悄然加入搜尋。每當(dāng)球場(chǎng)更迭,相遇的村民與他們的故事便如走馬燈般輪轉(zhuǎn)。看似荒誕的旅程里暗涌漸起:每踏過一片坑洼的草場(chǎng),每穿過 一座寂靜村莊,找到麗莎的希望便如晨霧般日漸稀薄。