昭和愛神薔薇貴婦人

0.3 播放:75萬 更新:2026-04-26

  昭和初期,日本國內(nèi)的上空布滿戰(zhàn)爭陰云,人們感到前途一片黯淡。居住在東京的北九條子爵(大河內(nèi)稔 飾)準(zhǔn)備和妻子絹?zhàn)樱▽m井えりな 飾)躲到信州的鄉(xiāng)間別墅避難,此時(shí)絹?zhàn)优c畫家秋本(市村博 飾)萌發(fā)感情,雖然依依不舍,卻也只能揮手訣別。數(shù)日后,秋本帶著為絹?zhàn)觿?chuàng)作的肖像來至秋本,二人舊情復(fù)夢,秋本更大膽拜托北九條成全他們的好事。與此同時(shí),身著軍服英姿颯爽的淳子(飛鳥裕子 飾)帶著兩名隨從落腳山莊,為這里帶來一絲詭異的氣息?! 〈稳眨瑧棻?duì)的服部(高橋明 飾)等人趕來調(diào)查蘇聯(lián)間諜,在這個(gè)隔絕的空間里,將有怎樣的故事上演……

播放通道

詳細(xì)簡介

  昭和初期,日本國內(nèi)的上空布滿戰(zhàn)爭陰云,人們感到前途一片黯淡。居住在東京的北九條子爵(大河內(nèi)稔 飾)準(zhǔn)備和妻子絹?zhàn)樱▽m井えりな 飾)躲到信州的鄉(xiāng)間別墅避難,此時(shí)絹?zhàn)优c畫家秋本(市村博 飾)萌發(fā)感情,雖然依依不舍,卻也只能揮手訣別。數(shù)日后,秋本帶著為絹?zhàn)觿?chuàng)作的肖像來至秋本,二人舊情復(fù)夢,秋本更大膽拜托北九條成全他們的好事。與此同時(shí),身著軍服英姿颯爽的淳子(飛鳥裕子 飾)帶著兩名隨從落腳山莊,為這里帶來一絲詭異的氣息。  次日,憲兵隊(duì)的服部(高橋明 飾)等人趕來調(diào)查蘇聯(lián)間諜,在這個(gè)隔絕的空間里,將有怎樣的故事上演……

同類推薦

樂透大作戰(zhàn)

高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫

  即將退伍的南韓兵長千禹(高庚杓 飾),某天意外在緊繃的南北韓軍事線附近,撿到一張飄向自己的頭獎(jiǎng)彩券,之后卻一個(gè)不小心,讓這張彩券乘風(fēng)飄向無法涉足的北韓…。為了靠57億獎(jiǎng)金實(shí)現(xiàn)退伍夢想,他使出渾身解數(shù)尋找彩券,沒想到竟被北韓士兵榮浩(李伊庚 飾)給撿到…。跟彩券擦身而過的 千禹,以及在北韓不過是張紙片,必須到南韓把彩券換成獎(jiǎng)金的榮浩,再加上意想不到的成員們共同加入,雙方為了死守這57億巨額獎(jiǎng)金,決定“越線”展開驚險(xiǎn)刺激的機(jī)密協(xié)商······

噬童魔

杰西卡·麥麗奧德,Hannah Cheramy,約翰·埃梅特·特雷西,Jana Mitsoula,格內(nèi)維夫·布徹納,Connor Stanhope,喬安娜·紐馬奇,Craig March

  孤兒薩曼塔,和她的養(yǎng)父母以及妹妹奧利弗住在一起,但是他的養(yǎng)父并不喜歡她,老是責(zé)罵她。由于他們的家位于森林深處,所以回家必須經(jīng)過森林,但是,他們不知道森林里有樹怪,他們能誘捕兒童,然后把抓到的孩子困到他們的巢穴,然后再幻化成孩子的模樣,回到他們的父母身邊,所以數(shù)百年來,這片森林?jǐn)?shù)百年來都有兒童走失的案例,不幸的是,由于薩曼塔的疏忽,讓她的妹妹獨(dú)自穿過森林,然后就被樹怪擄走啦,接著就發(fā)生了一連串死亡事件,那么薩曼塔一家能夠逃過一劫嗎?

炸掉銀行經(jīng)理

路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅

  卡洛斯在一家銀行支行當(dāng)總經(jīng)理,最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天,他送兩個(gè)孩子馬科斯和莎拉上學(xué),卻發(fā)生了改變他人生命運(yùn)的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機(jī),一個(gè)陌生男人打來電話,號稱卡洛斯的車?yán)锉话仓昧艘活w炸彈。而恰在此時(shí),一個(gè)神秘的黑衣摩的男尾隨而至。這是一個(gè)惡作劇,還是真實(shí)的綁架勒索?事情的緣起何故,卡洛斯一家命運(yùn)又該如何?這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動(dòng)魄……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

審判游戲

阿米達(dá)普·巴強(qiáng),埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂

  An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.