愛在娛樂圈的日子
娛樂圈中的聲色犬馬燈紅酒綠眾所周知，當(dāng)六個(gè)天真單純的女孩想要在這個(gè)充滿了誘惑與利益的世界里謀得各自的一席之位時(shí)，會(huì)發(fā)生怎樣有趣又發(fā)人深省的故事呢？ 美琪（周海媚 飾）幸運(yùn)地得到了富商的垂青，然而，在風(fēng)光之后，竟然有著意想不到的結(jié)局在等待著她。溫馨（張慧儀 飾）嫌棄自己的身材不夠火爆而做了整形手術(shù)，最終卻落得竹籃打水一場(chǎng)空。小紅（楊嘉玲 飾）無法走出曾經(jīng)的陰影，成為了一出悲劇的女主角。丙嫂（孫佳君 飾）陷入了不倫之戀中無法自拔。阿如（朱茵 飾）和嚴(yán)秋（陳法蓉 飾）之間產(chǎn)生了超越了倫理道德的感情，她們又能否走到最后呢？六個(gè)女孩，六段故事，每一個(gè)人都將為自己的選擇付出代價(jià)。
即刻觀影
劇情賞析
編輯推薦
危境交戰(zhàn)
艾米·博特斯,普登絲·布特萊齊,法拉伊·奇古杜危險(xiǎn)且不可預(yù)測(cè)的任務(wù)！在這飽受戰(zhàn)爭(zhēng)蹂躪的國家，他能否改變現(xiàn)狀？ 麥可福斯特曾是一名士兵，后來成為承包商，他和他的團(tuán)隊(duì)發(fā)現(xiàn)自己在一個(gè)與內(nèi)戰(zhàn)殘余和秘密犯罪分子作斗爭(zhēng)的國家中執(zhí)行著一項(xiàng)危險(xiǎn)的任務(wù)…
玄機(jī)衛(wèi)之鎮(zhèn)國神鼎
賀剛,袁福福,李夢(mèng)穎,劉林城,寇振海,老羊,曉凡,陽蕾天降妖星，龍脈斷裂，蠱蟲肆虐。隱士白隱川被迫重出江湖，與瘋癲故友、雙面女禁衛(wèi)探地宮、破鎖龍陣，在權(quán)力棋局中，為人心而戰(zhàn)！
復(fù)仇新娘
凱蒂·勒克萊齊,杰夫·辛,漢娜·巴爾福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法爾考,Heather Horton,Jana Lewis擁有一個(gè)成功的美發(fā)沙龍，即將嫁給她夢(mèng)想中的男人，MIYA認(rèn)為事情不會(huì)變得更好。當(dāng)她收到婚禮邀請(qǐng)時(shí)，事情很快就開始崩潰——她的未婚妻伊恩和前未婚妻洛里的婚禮。不久，宮被一個(gè)穿著婚紗和面紗的怪異新娘跟蹤，伊恩開始懷疑宮可能正在編造這一切。當(dāng)一系列可怕的事件開始發(fā)生時(shí)，宮先生確信莉莉正在實(shí)施一個(gè)扭曲和致命的復(fù)仇計(jì)劃
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索蕾：來自未來的妻子
希拉·達(dá)拉·艾莎,迪翁·維約科,David GojkovicSore從未來穿越回過去，只為改寫她丈夫Jonathan的命運(yùn)。但命運(yùn)從不輕易讓步——當(dāng)過去、現(xiàn)在與未來交織，她與Jonathan的愛情也陷入無法逃脫的時(shí)間迷宮。
養(yǎng)鬼吃人5：直闖地獄
洛杉磯警探喬瑟夫（克萊格·謝菲爾 飾）是個(gè)標(biāo)準(zhǔn)敗類，嗑藥嗑得比誰都勤快，調(diào)查命案不忘順手牽羊，更枉顧家中妻小，專搞迷人可愛的阻街女郎。一宗幼童謀殺案現(xiàn)場(chǎng)，喬瑟夫撿回一只受過詛咒的奇異盒子，打開后怪事不斷一樁接一樁：昨夜搞上的妓女意外身亡，他瞬間成為頭號(hào)嫌疑犯；一連串似幻似真的恐怖體驗(yàn)更不斷尾隨，無臉怪人四處追殺人群，《養(yǎng)鬼吃人》系列當(dāng)家猛鬼－針頭鬼（Pinhead）也重出江湖，一個(gè)頭兩個(gè)大的喬瑟夫該如何解決這謎一般的虛實(shí)夢(mèng)魘？本片改編自克里夫巴克（Clive Barker）恐怖小說「受地獄羈絆之心」The Hellbound Heart，這顆壞心腸的主人正是故事男主角喬瑟夫，身為警察的他自身行為不檢點(diǎn)也罷，涉嫌謀殺難以脫罪的他竟然嫁禍好同事，善惡終有報(bào)，惡徒喬瑟夫果然陷入萬劫不復(fù)的魔鬼夢(mèng)魘，活著比死更痛苦。