妻子們的一切

? 2.5 播放：84萬 2026-04-25

世界上有無數(shù)的妻子，她們有著各種各樣的故事。一個想和年下約..世界上有無數(shù)的妻子，她們有著各種各樣的故事。一個想和年下約會的已婚女人，一個因外遇而離婚并與新情人有染的女人，一個從小單純認爲(wèi)是哥哥妹妹的關(guān)系，長大後成爲(wèi)夫婦的幸福妻子。 讓我們一一來看看他們的故事。

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? 播放 妻子們的一切

劇情提要

世界上有無數(shù)的妻子，她們有著各種各樣的故事。一個想和年下約..世界上有無數(shù)的妻子，她們有著各種各樣的故事。一個想和年下約會的已婚女人，一個因外遇而離婚并與新情人有染的女人，一個從小單純認爲(wèi)是哥哥妹妹的關(guān)系，長大後成爲(wèi)夫婦的幸福妻子。 讓我們一一來看看他們的故事。

幕后花絮

人肉農(nóng)場

　　A young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster