性的意圖

★ 0.2 播放:96萬(wàn) 更新:2026-04-28

馬修是年輕,雄心勃勃,商人已經(jīng)取得了成功。雖然他經(jīng)歷過(guò)性的問(wèn)題,他從來(lái)沒(méi)有對(duì)瓦萊麗準(zhǔn)備。她在情感和性有關(guān)的所有事宜馬修相信他知道一場(chǎng)革命。他癡迷于她,這會(huì)導(dǎo)致自己的滅亡。   

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劇情簡(jiǎn)介

馬修是年輕,雄心勃勃,商人已經(jīng)取得了成功。雖然他經(jīng)歷過(guò)性的問(wèn)題,他從來(lái)沒(méi)有對(duì)瓦萊麗準(zhǔn)備。她在情感和性有關(guān)的所有事宜馬修相信他知道一場(chǎng)革命。他癡迷于她,這會(huì)導(dǎo)致自己的滅亡。   

導(dǎo)演精選

敵對(duì)維度

  講述了兩位紀(jì)錄片制作人決定調(diào)查一位涂鴉藝術(shù)家的失蹤事件。隨著調(diào)查的深入,這兩位制作人遭遇到了一扇詭異的憑空出現(xiàn)的木門(mén),這扇門(mén)引領(lǐng)他們穿梭于不同的空間,同時(shí)開(kāi)啟了一段黑暗的噩夢(mèng)之旅。本來(lái)只是調(diào)查失蹤事件的兩人很快便意識(shí)到,自己陷進(jìn)了超乎想象的可怕旋渦之中...

毀滅的發(fā)明

  As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....

心靈與智慧

 本片是由哥倫比亞電影公司出資委任電視紀(jì)錄片導(dǎo)演皮特?戴維斯(Peter Davis)拍攝的一部探討美國(guó)為何在1959-1975年期間發(fā)動(dòng)對(duì)越戰(zhàn)爭(zhēng),越南人民的悲慘遭遇,以及美國(guó)人民對(duì)越戰(zhàn)態(tài)度轉(zhuǎn)變的紀(jì)錄片。這是美國(guó)本土首次放映直接采訪刻畫(huà)越南平民慘境的影片,片中多次表現(xiàn)了美軍將領(lǐng)的種族主義和美國(guó)政府對(duì)國(guó)內(nèi)人民的無(wú)恥欺騙。電影于1974年在法國(guó)嘎納電影節(jié)首映,隨即便因內(nèi)容的嚴(yán)重爭(zhēng)議性被哥倫比亞公司擱置。制片人波特?施耐德(Bert Schneider)與亨利?蘭格(Henry Lange)向哥倫比亞公司買(mǎi)回了版權(quán),并終于1975年通過(guò)華納公司在美國(guó)公映。本片獲1974年奧斯卡最佳紀(jì)錄片獎(jiǎng),并被提名同年金球獎(jiǎng)最佳紀(jì)錄片。