赤身露體的妻子

　　三個(gè)女人所駕駛的宇宙飛船發(fā)生問題，緊急降落在銀河系中一個(gè)名為「大地11號(hào)」的星球上，沒想到，該星球受到致命疾病肆虐，三個(gè)女人因此被當(dāng)?shù)氐莫?dú)裁者麥納布（莫利.林沃德 飾）挾持。此時(shí)，「宇宙 獵人 」渥夫（彼得.史特羅斯 飾）駕駛著他的救援船展開行動(dòng)，一路上他碰到了許多危急的狀況，還好都在 千鈞一發(fā) 之際安全脫身。隨著危機(jī) 一一 的化解，渥夫與獨(dú)裁者麥納布面對(duì)面的時(shí)刻越來越接近......他是否能對(duì)抗這群邪惡的外星小怪物，將三名美女從禁地星球中救出來呢？此片不但有緊湊的動(dòng)作場(chǎng)面、獨(dú)特的場(chǎng)景設(shè)計(jì)、創(chuàng)意十足的聲音特效，3D三維效果更使其生動(dòng)逼真......

　　芝加哥又迎來了晴朗的一天，逃學(xué)高手菲利斯（馬修?布羅德里克 Matthew Broderick 飾）自然不會(huì)在這天選擇枯燥的測(cè)驗(yàn)，他偽裝病重騙過父母，令同校的姐姐珍妮徒勞嫉妒。菲利斯找來好友凱倫（阿蘭?盧克 Alan Ruck 飾），兩人聯(lián)手騙過訓(xùn)導(dǎo)主任羅寧，駕駛凱倫父親珍藏的法拉利將菲利斯女友思朗接出學(xué)校兜風(fēng)，菲利斯嫻熟的電話騙術(shù)在凱倫和思朗的配合下將眾人戲弄的團(tuán)團(tuán)亂轉(zhuǎn)，學(xué)生們反而受他的影響頗深，在校內(nèi)發(fā)起給菲利斯謊稱的手術(shù)捐款。羅寧不堪忍受菲利斯一次次得欺騙，“微服私訪”去校外希望能將菲利斯捉個(gè)正形，而在城中四處游蕩的菲利斯三人則展開了一場(chǎng)隱藏自己身份的冒險(xiǎn)……

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster