謝利
忘年戀題材影片,夏洛特(凱茜 茨 Kathy Bates 飾)和米雪兒(米歇爾 菲弗 Michelle Pfeiffer 飾)是多年老友、閨蜜,她們?cè)?jīng)是裙下臣甚眾的交際花,如今年華老去,只能在華屋美食間消磨時(shí)光回憶往事。夏洛特的兒子謝利(魯伯特弗蘭德 Rupert Friend 飾)十九歲了,她很為兒子沉迷酒色擔(dān)憂,因此把他交給米雪兒管教。雖然一個(gè)徐娘半老,一個(gè)風(fēng)華正茂,但兩人不可避免地相愛(ài)了,米雪兒成了謝利的導(dǎo)師和情人,他親昵地叫她;諾諾,米雪兒為自己多年沒(méi)體會(huì)過(guò)的熾熱情感而害怕,因這畢竟是一段禁忌的關(guān)系。謝利不可避免要走入婚姻,娶了同齡的富家女孩,但和米雪兒的關(guān)系卻沒(méi)辦法輕易了斷
劇情簡(jiǎn)介
忘年戀題材影片,夏洛特(凱茜 茨 Kathy Bates 飾)和米雪兒(米歇爾 菲弗 Michelle Pfeiffer 飾)是多年老友、閨蜜,她們?cè)?jīng)是裙下臣甚眾的交際花,如今年華老去,只能在華屋美食間消磨時(shí)光回憶往事。夏洛特的兒子謝利(魯伯特弗蘭德 Rupert Friend 飾)十九歲了,她很為兒子沉迷酒色擔(dān)憂,因此把他交給米雪兒管教。雖然一個(gè)徐娘半老,一個(gè)風(fēng)華正茂,但兩人不可避免地相愛(ài)了,米雪兒成了謝利的導(dǎo)師和情人,他親昵地叫她;諾諾,米雪兒為自己多年沒(méi)體會(huì)過(guò)的熾熱情感而害怕,因這畢竟是一段禁忌的關(guān)系。謝利不可避免要走入婚姻,娶了同齡的富家女孩,但和米雪兒的關(guān)系卻沒(méi)辦法輕易了斷
為你推薦
偶像活動(dòng)!×美妙天堂 THE MOVIE -相遇的奇跡!-
下地紫野,茜屋日海夏《10周年記念!》 大人気アイドル 奇跡のコラボレーション!! “10年分の愛(ài)”と“10年分のありがとう”をいっぱいに詰め込んだ、夢(mèng)のプロジェクト始動(dòng)! 新作ストーリー&新作ライブの完全オリジナル映畫
看不見的愛(ài)人2025
鐘熙,侯偉杰,陳彥霓攝影師榮格偶遇前女友洛依,尾隨她回家后便悄然居住在這個(gè)房間里,偷窺著洛依的一舉一動(dòng)。洛依時(shí)常會(huì)帶不同的男人回家,但都被榮格悄無(wú)聲息的黃了。隨著時(shí)間的推移,榮格在房間里的狀態(tài)愈加放松,馬腳也漸漸露的多了,洛依越來(lái)越感覺(jué)到房間里有榮格的存在
康普茶
Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne這是一種名叫康普茶的飲料,它可以改變?nèi)说乃季S,使員工工作到死。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
百日孤獨(dú)
伊萬(wàn)·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅外星人侵占了地球,人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個(gè)忠誠(chéng)的戰(zhàn)士,他被送到地面上來(lái)拯救幸存者并每天匯報(bào)情況。他的任務(wù)就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近,然而這每天的例行任務(wù)卻逐漸成為他的噩夢(mèng),令人恐懼的聲音在樹林里回蕩;基地每日都受到頻繁的攻擊;塔內(nèi)的電力供應(yīng)出現(xiàn)故障;修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過(guò)他有關(guān)上一任的事。孤獨(dú)感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎?還是S.U.M.1已經(jīng)被折磨到精神錯(cuò)亂了?
殺手算命師
莎拉·墨菲,喬納森·斯托達(dá)德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒在一位塔羅牌占卜師預(yù)言了一次偶遇后,肖恩開始相信命運(yùn),并為他的愛(ài)情生活和事業(yè)尋求進(jìn)一步的建議。
柔似蜜
劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達(dá)納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當(dāng)·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅改編自Frank Shyong撰寫的《洛杉磯時(shí)報(bào)》報(bào)道《一個(gè)垂死母親的計(jì)劃》(A Dying Mother’s Plan)。來(lái)自真實(shí)事件,被形容為“讓人心碎的故事,聚焦理解心理疾病的多層面的重要性,尤其是亞裔社群中”,講述在圣蓋博谷,一個(gè)患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對(duì)大規(guī)模槍擊案越發(fā)沉迷。