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亂馬12:中國昆侖大決戰(zhàn)!破壞計劃之激斗篇??!
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關(guān)俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬,保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆爾維,馬修·德爾·內(nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬希·斯通,哈娜可·福特曼環(huán)法
熱拉爾·德帕迪約神探巴克希
蘇尚特·辛格·拉吉普特,菊池隆則,阿南德·蒂瓦里,Swastika Mukherjee愛定你殺定你
塞西爾·德·弗朗斯,麥溫,菲利普·納翁,弗蘭克·卡方,安德烈·芬蒂,瓦娜·佩利亞,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃爾·斯巴修人氣佳作
導演精選
狼人2025
布雷克(克里斯托弗·阿波特 Christopher Abbott 飾)是一名住在舊金山的丈夫和父親。當他自己的父親失蹤并被判定死亡之后,他繼承了他位于俄勒岡州鄉(xiāng)下偏遠地區(qū)的童年老家。當他和他事業(yè)有成的女強人妻子夏莉特(朱莉婭·加納 Julia Garner 飾)的婚姻逐漸走向破裂,布雷克就說服夏莉特帶著他們年幼的女兒金潔(瑪?shù)贍栠_·弗 思 Matilda Firth 飾)一起離開城市,前往他的童年老家度假?! 〉钱斶@一家人在深夜來到這座農(nóng)舍時,他們突然遭到一只看不見的怪獸攻擊,為了逃離危險,他們就躲進農(nóng)舍里面,并且將所有入口封住,而那只怪獸則在外面徘徊。當他們驚懼地試圖度過漫漫長夜時,布雷克卻開始出現(xiàn)奇怪的舉動,而且逐漸變成一種不知名的怪物,于是夏莉特就被迫必須決定:到底是屋內(nèi)的恐怖更致命,還是外面的危險更可怕?
靈魂燈籠
《靈魂燈》的故事發(fā)生在封建時代的一個北方村莊。Thuong 獨自撫養(yǎng)兒子,希望丈夫服完兵役后能回來。一天,Linh(Thuong 的兒子)無意中撿到一盞神秘的燈。他開始稱墻上的影子為父親。據(jù)村里的巫師說,這是一盞靈魂燈,可能召喚了尋求報復(fù)的惡靈。從那一刻起,不尋常的鬼魂事件開始困擾 Thuong 和村民。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster