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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛的藝術(shù)
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納故事發(fā)生于20世紀的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學(xué)校。在學(xué)校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經(jīng)身在這閉塞的高墻之內(nèi)，完全不知道外面還有著更廣闊的的世界?！ 『＿_拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學(xué)校里的學(xué)生，當(dāng)她們開始質(zhì)疑起她們的生活和過去時，原本維系著學(xué)校內(nèi)事務(wù)正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。
克里斯蒂
西德尼·斯維尼,本·福斯特,梅里特·韋弗,凱蒂·M·奧布萊恩,托尼·卡瓦勒羅,伊?！ざ鞑祭?查德·科爾曼,杰西·加伯,邁爾斯·穆森登,比爾·凱利,阿爾特·紐柯克,史蒂芬妮·鮑爾,考特妮·格蕾絲,凱文·J·奧康納,阿德里安·洛克特,阿里莎·康納,科爾曼·佩迪戈,布萊恩·希巴德,塔瑪拉·霍普金斯,斯蒂芬·羅亞爾·菲利普斯影片講述美國著名拳擊運動員、“女洛奇”克里斯蒂·馬丁的故事?？死锼沟賮碜悦绹鞲ゼ醽喼菪℃?zhèn)一個相對保守的家庭，當(dāng)時她作為一個年輕的女同性戀者不被允許做自己，所以用拳擊作為表達自己和憤怒的工具。她必須在生活中做出一些危險而根本的妥協(xié)，其中最嚴重的是嫁給一個極其危險的男人?！ ?989年，馬丁遇到了她的經(jīng)紀人、后來的丈夫吉姆·馬丁，生活發(fā)生了轉(zhuǎn)變。她打破界限，成為第一個與金牌拳擊推廣人唐·金簽約的女性，也是唯一一個登上《體育畫報》封面的女拳擊手。 克里斯蒂的魅力、漂亮外表和對賽場的適應(yīng)為她贏得了狂熱的粉絲群，并推動她成為次中量級冠軍。但在精心塑造的公眾形象背后，她面臨著個人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。
郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
咸魚翻身
李健仁,梁家仁,鐘偉強,程東,黃一山,馬雪陽,Boz,董方卓此片主題為講述兩代人為勝利與人生尊嚴拼搏不息、最終實現(xiàn)足球夢的勵志故事。
鐵甲無敵瑪利亞
梁朝偉,葉倩文,徐克,林正英,岑建勛,陳國新,林國斌,秦沛太陽黨是一個恐怖組織，其首領(lǐng)救世主（林國斌 飾）善于開發(fā)戰(zhàn)爭機器人，他和女友瑪利亞（葉倩文 飾）經(jīng)常利用自己開發(fā)的機器人“先鋒一號”大肆破壞。由于“先鋒一號”威力強大，警方也常常束手無策。小徐原是英雄黨的一分子，后來對自己團伙的所作所為深感不滿而在師傅的擔(dān)保下脫離了該組織。一次小徐在酒吧偶遇了專為警方開發(fā)戰(zhàn)爭機器人的專家阿毛（岑建勛 飾），兩人一見如故，成為了好朋友。豈料太陽黨因此懷疑小徐出賣了自己，因此派出新研制的機器人——外形和瑪利亞一模一樣的“先鋒二號”追殺小徐；更糟糕的是，警方亦因此懷疑阿毛出賣了政府，因而同時派人前來捉捕他們。一對好兄弟，能否逃出生天？