玩偶1976

★ 9.4 播放：52萬(wàn) 更新：2026-04-28

1940年法國(guó)前大舉入侵。暫無(wú)內(nèi)容ELIANE（麗莎Gastoni）是一個(gè)-劑師，誰(shuí)是她沉悶的丈夫結(jié)婚，并有一個(gè)十幾歲的女兒。暫無(wú)內(nèi)容ELIANE是一個(gè)有吸引力的女人，讓她的熱情，秋季休眠。一天晚上，-店店員做一張通行證在她，當(dāng)他認(rèn)為她是另一個(gè)女孩。不久，她讓激情超越她，她很快就成為他的性奴隸。

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劇情簡(jiǎn)介

1940年法國(guó)前大舉入侵。暫無(wú)內(nèi)容ELIANE（麗莎Gastoni）是一個(gè)-劑師，誰(shuí)是她沉悶的丈夫結(jié)婚，并有一個(gè)十幾歲的女兒。暫無(wú)內(nèi)容ELIANE是一個(gè)有吸引力的女人，讓她的熱情，秋季休眠。一天晚上，-店店員做一張通行證在她，當(dāng)他認(rèn)為她是另一個(gè)女孩。不久，她讓激情超越她，她很快就成為他的性奴隸。

導(dǎo)演精選

忘我星途

　　A narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.

飛行家2025

影片講述東北“犟種”李明奇（蔣奇明 飾）和他的妻子高雅風(fēng)（李雪琴 飾）如何用一輩子的時(shí)間，守護(hù)一個(gè)“飛上天”的大夢(mèng)想。在生活的重壓下，這個(gè)夢(mèng)想時(shí)而成為謀生的工具，時(shí)而又成為照亮絕境的唯一光芒。為了托起沉甸甸的生活，李明奇從599米的高空一躍而下，對(duì)命運(yùn)做出勇敢反擊。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster