媽媽的朋友3
父親和他的兒子在車禍中遇難。她的朋友Mi ae在她外出期間來幫助他們做家務(wù)。當(dāng)她喝醉時，她是一個好家庭主婦和一個更好的性機(jī)器。房子里的兩個男人因為她的曲線而向她屈服
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惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎三年前的8月31日，“侵略者”巨大的母艦突如其來地降臨在東京，眼看這個世界即將迎來末日?！ ∽源酥螅^望漸漸地融入了日常生活；大大的飛碟盤旋于空中，今天也依然不變地持續(xù)環(huán)繞著世界。而在還沒有來到世界末日的此刻，小山門出、中川凰蘭這兩個高中女生的青春時代才正要展開。
旅行的機(jī)器人
山寺宏一,林原惠美旅にはいつも出會いと別れがある。
推理要在晚餐后 電影版
櫻井翔,北川景子,椎名桔平,中村雅俊,櫻庭奈奈美,要潤,鹿賀丈史,黑谷友香,甲本雅裕,大倉孝二,兒島一哉,村川繪梨,團(tuán)時朗,六角精兒,田中要次,伊東四朗,生瀨勝久,竹中直人,宮澤理惠帶薪休假的寶生家族千金小姐麗子（北川景子 飾），好不容易和管家影山（櫻井翔 飾）乘直升飛機(jī)趕上了開往新加坡的公主麗子號豪華游輪。她在船上意外見到上司——警視廳國立署警部風(fēng)祭京一郎（椎名桔平 飾），原來風(fēng)祭奉市長之命護(hù)送純金打造的K獅前往獅城。豪華一流的配套服務(wù)，讓游客們樂享其中?？删驮谌挤艧熁鸬囊雇?，一名男子的尸體落入海中，引起不小的恐慌。在此之后，風(fēng)祭、麗子、影山聯(lián)合起來展開調(diào)查，而犯罪分子也以全體船員的性命相要挾禁止與外界聯(lián)系。 接二連三有人遇害，時間則一分一秒地流逝，影山他們能否解開兇險的謎題？
天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元窮途末路的天才少年劉全龍（彭昱暢 飾），被偏執(zhí)富家公子陳倫（丁禹兮 飾）選中，被迫踏入一場為他量身打造的“換命游戲”。豪華別墅、名車名表、神秘女友全部備齊，在陳倫的精心打造下，劉全龍瞬間擁有頂配人生。這場表面上各取所需的交易，暗地里卻殺機(jī)漸起。當(dāng)眾星捧月的快感喂大了野心，貪婪的目光開始盯上原主擁有的一切，那個曾經(jīng)溫順的“獵物”，開始在暗處亮出獠牙，而掌控一切的“獵人”似乎也早有籌謀。無名的尸體、操控與反噬、扮演與沉淪，這場游戲里，究竟是誰在控制誰？
爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗一個神秘中年男子醉酒后襲擊了一臺自動售貨機(jī)和便利店店員，被警方拘留。他聲稱自己擁有超能力，并預(yù)測東京將有炸彈。從秋葉原爆炸事件算起，他預(yù)測接下來還會有三次爆炸，間隔一小時。隨后，他一邊回避著警察的詢問，一邊問一些有關(guān)炸彈的神秘“問題”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.