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魔影襲人來
萊斯利·霍華德,勞倫斯·奧利弗,雷蒙德·馬西,安東·沃爾布魯克,埃里克·波特曼獲獎(jiǎng)：1943年奧斯卡最佳劇本獎(jiǎng)介紹：二戰(zhàn)初期，一艘毀壞的潛水艇擱淺在加拿大海灣。狂熱的納粹船長和他的全體船員必須抵達(dá)當(dāng)時(shí)中立的美國，否則他們要被捉拿。一路上他們遇上形形色色的人物，對戰(zhàn)爭和愛國主義抱著各自的態(tài)度。在本片中導(dǎo)演鮑威爾和演員艾默力．皮斯伯格針對美國參加同盟國對抗納粹的原因而展現(xiàn)出他們獨(dú)特的觀點(diǎn)。
全信沒收
馬特·達(dá)蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內(nèi)斯特·卡博內(nèi)爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費(fèi)里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點(diǎn)重重，到底還剩下什么可以相信？又有誰依然值得信賴？
神來電
尼古洛·格維尼阿什維利,尼卡·貢加澤年輕的貢嘎和他的表弟巴特在一個(gè)廢品場里意外發(fā)現(xiàn)了一個(gè)裝滿生銹十字架的手提箱。巴特靈機(jī)一動，決定將這些十字架改造成霓虹十字架，并逐戶向第比利斯的居民推銷。他們在城市郊區(qū)的漫游因此變成了一場尋找愛情與友情的冒險(xiǎn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鐵肺
馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾?！ぢ宸蚵蹇?艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。
貓吻：當(dāng)你打開心扉的那一瞬間
吳東旻,???失去妻子后，沒有靈魂地生活的童話作家趙容熙。他只要去妻子畫畫的房間，就會出現(xiàn)過度呼吸的癥狀，很久沒進(jìn)過那個(gè)房間了。但是從某一天開始，那個(gè)房間里開始傳來奇怪的聲音。鼓起勇氣打開房門的龍熙。妻子房間的天花板漏水，住著在仁偷偷藏起來的小貓。在仁拜托我養(yǎng)貓，雪上加霜的是，來修理天花板的木匠哈羅恩提議把閑置的房間變成貓的房間…龍熙究竟會做出什么選擇？