有錢人交換性
她引誘了她有錢的男朋友的父親,一個女人以報復的方式引誘了她男朋友的兒子。Joo-won與父親Tae-jin和父親的情人So-young一起生活。父親是老板,他用自己的錢來養(yǎng)育自己喜歡的女人,但是時間不長。盡管這樣的父親還不夠好,但他只是繼續(xù)前進,因為他從有能力的父親那里得到了很多。 Joo-won邀請女友Jisoo到他家并介紹給父親,盡管Tae-jin裝作友善,但他的眼睛越來越隱蔽。最后,收到智s聯(lián)系方式的泰鎮(zhèn),過了一會兒給智s打電話,談論條件和條件,并為成為他的愛人而感到尷尬。然而,最后,她與Joo-won的關系是錢,所以她決定接受Taejin的建議。 So-young在得知這一點后意識到很快就要將他開除,并把事實告訴了Joo-won來誘使他。
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劇情簡介
她引誘了她有錢的男朋友的父親,一個女人以報復的方式引誘了她男朋友的兒子。Joo-won與父親Tae-jin和父親的情人So-young一起生活。父親是老板,他用自己的錢來養(yǎng)育自己喜歡的女人,但是時間不長。盡管這樣的父親還不夠好,但他只是繼續(xù)前進,因為他從有能力的父親那里得到了很多。 Joo-won邀請女友Jisoo到他家并介紹給父親,盡管Tae-jin裝作友善,但他的眼睛越來越隱蔽。最后,收到智s聯(lián)系方式的泰鎮(zhèn),過了一會兒給智s打電話,談論條件和條件,并為成為他的愛人而感到尷尬。然而,最后,她與Joo-won的關系是錢,所以她決定接受Taejin的建議。 So-young在得知這一點后意識到很快就要將他開除,并把事實告訴了Joo-won來誘使他。
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附身
阿比蓋爾·布雷斯林,大衛(wèi)·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦一百樣東西
弗洛里安·大衛(wèi)·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內(nèi)洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內(nèi)德,瑪利亞·佛萬格勒,沃爾夫?qū)に顾菲?Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特月球叛軍:火之女
索菲亞·波多拉,艾德·斯克林,克利歐佩特拉·科爾曼,加利·艾爾維斯,安東尼·霍普金斯,查理·漢納姆,吉娜·馬隆,米希爾·赫伊斯曼,寇瑞·斯托爾,杰曼·翰蘇,斯圖爾特·馬丁,裴斗娜,多米尼克·伯吉斯,里安·里斯,阿方索·埃雷拉,雷·費舍爾,弗拉·菲,斯塔茲·奈爾,丹尼埃爾·布魯吉奧,雷·波特,E·達菲環(huán)法
熱拉爾·德帕迪約嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
15年 15 Jahre
珍妮曾被譽為“鋼琴天才”,但她因冤案而被判入獄15年。當她遇到有歌唱天賦的敘利亞戰(zhàn)爭難民奧馬爾時,她同意在電視音樂選秀節(jié)目中為他彈鋼琴伴奏。在她的牢獄生活期間,她的初戀弗萊舍成為了一名流行歌星,并擔任了音樂選秀比賽的評委,而珍妮和奧馬爾則是其中很有望勝出的選手之一。在獄中度過這些痛苦的歲月后,現(xiàn)在是珍妮做出選擇的時刻:是報復,還是幸福和未來?
雙龍出海
貝多芬(岑建勛 飾)和阿秋(吳耀漢 飾)是一對好朋友,也是搞笑鬼馬的便衣搭檔。他們常將警局鬧得不可開交,連上司陳辦(陳欣建 飾)也頭疼不已。不過,自從阿秋和安娜(葉德嫻 飾)結(jié)婚之后,貝多芬就變得孤苦伶仃,可憐兮兮。最終貝多芬搬到了阿秋家,和這對小夫妻湊成一個笑料百出的三人世界。 陳辦不堪其擾,將二人調(diào)到素有“鯊魚田”之稱的田警司(田俊 飾)麾下,兩人被好好整了一番,苦不堪言。另一方面,陳辦在執(zhí)行任務時被多年前的宿敵飛天蠄蟧(林正英 飾)陷害。貝多芬和阿秋深知老上司被冤枉,于是明察暗訪,發(fā)誓揪出幕后真兇……