圣朱麗葉的老虎
網(wǎng)友求片的一部看點(diǎn)熱鬧群戲。墨西哥版的羅賓漢傳奇。俠盜正少年，不愛金錢救濟(jì)貧寒，自得老中青三代風(fēng)情女們愛重，攜手共赴巫山云雨，其情幕幕火辣。少姝老嫗共巫山 這個(gè)性感，動(dòng)感十足的電影，在20世紀(jì)初成立，在墨西哥革命以前的日子，告訴何塞 德熱蘇斯格雷特麥地那的故事，想成為羅賓漢誰形成美麗的女性搶劫從一個(gè)盜賊團(tuán)伙逃犯要分給窮人。 一個(gè)逃兵變成強(qiáng)盜搶劫的盜賊把錢分給窮人。他是著名的被警察抓;與他的褲子了。 影片講述的是一個(gè)年輕的墨西哥男子acerca到誰寫的是一個(gè)老男人為;羅賓漢 的角色。當(dāng)然老虎需求，而不是;快樂的人 我與快樂的女人結(jié)束了一個(gè)團(tuán)伙，和。 時(shí)代的到來。 年齡差異的故事。
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劇情簡介
網(wǎng)友求片的一部看點(diǎn)熱鬧群戲。墨西哥版的羅賓漢傳奇。俠盜正少年，不愛金錢救濟(jì)貧寒，自得老中青三代風(fēng)情女們愛重，攜手共赴巫山云雨，其情幕幕火辣。少姝老嫗共巫山 這個(gè)性感，動(dòng)感十足的電影，在20世紀(jì)初成立，在墨西哥革命以前的日子，告訴何塞 德熱蘇斯格雷特麥地那的故事，想成為羅賓漢誰形成美麗的女性搶劫從一個(gè)盜賊團(tuán)伙逃犯要分給窮人。 一個(gè)逃兵變成強(qiáng)盜搶劫的盜賊把錢分給窮人。他是著名的被警察抓;與他的褲子了。 影片講述的是一個(gè)年輕的墨西哥男子acerca到誰寫的是一個(gè)老男人為;羅賓漢 的角色。當(dāng)然老虎需求，而不是;快樂的人 我與快樂的女人結(jié)束了一個(gè)團(tuán)伙，和。 時(shí)代的到來。 年齡差異的故事。
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魔法壞女巫
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?！に谷R特,瑪麗莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,楊伯文,布朗溫·詹姆斯,伊迪娜·門澤爾,克里斯汀·肯諾恩斯,基拉·塞特爾,莎倫·D·克拉克,科林·邁克爾·卡邁克爾,亞當(dāng)·詹姆斯,愛麗絲·費(fèi)恩,詹娜·博伊德,肖恩·普倫德加斯特,亞倫·張,Lexi Lancaster,Arlo Turner字母殺手
艾麗莎·杜什庫,加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德養(yǎng)鬼吃人8：地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠(yuǎn)藤憲一,藤澤涼架,新原泰佑,前原瑞樹,堀井新太,坪倉由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊戴夫造了個(gè)迷宮
尼克·圖恩,梅拉·羅希特·庫姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·埃克特,布里特妮·多伊奇,杰西卡·格拉夫斯導(dǎo)演精選
鬼屋行竊
一名退伍軍人得到一份搶劫房子的工作，但結(jié)果發(fā)現(xiàn)這所房子是 Nyai 的房子，Nyai 是一位小妾，又名 Gundik。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超重警官
自從因?yàn)樘肿ゲ坏綋尫硕巧项^條，“阿康”和他三個(gè)朋友就成了泰國警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉，否則就會(huì)被懲處！當(dāng)美麗的尊巴舞教練“小敏”加入之后，訓(xùn)練變得令人興奮。然而，搶案持續(xù)發(fā)生，一臺(tái)銀行運(yùn)鈔車被搶后損失慘重，歹徒卻沒有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪，減肥期限將近，但犯案之謎卻仍未解開。這幾個(gè)超大條的家伙，要如何保住他們的飯碗呢？