影片推薦
從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內(nèi)羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco最終測試
安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯阿凡達:火與燼
薩姆·沃辛頓,佐伊·索爾達娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛(wèi)·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛(wèi)·摩爾 ,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯遠古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡納,多米尼克·基汀,Maureen Kedes寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升關(guān)你茶室
Yuriko Heng,K-Lao,賴宇涵,李國煌,Morn Liew,Joshua Se,Songbill,鄧金煌,Mayjune,黃楚琳,王竣同類精選
妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢露寫在大地上的詩
蘭嵐,查嶺野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯掠殺者
利亞姆·坎寧安,寶拉雅娜·麥金托什,漢娜·斯坦布里奇,布萊恩·拉金,尼爾·格雷格·富爾頓,道格拉斯·羅素,喬納森·沃森,布萊恩·威納爾突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯王牌保鏢2
瑞安·雷諾茲,塞繆爾·杰克遜,薩爾瑪·海耶克,弗蘭克·格里羅,理查德·E·格蘭特,安東尼奧·班德拉斯,摩根·弗里曼,斯圖爾特·亞歷山大,早乙女津和雪,麗貝卡·弗朗特,諾杰·赫拉爾,邁克爾·戈爾,喬治·格倫,巴里·阿茨瑪,蒂內(nèi)·朱斯特拉,加里·奧德曼,瑪麗安娜·維基爾斯卡,布萊恩·卡斯佩,丹柯·約爾丹諾夫,西蒙·安德魯,塞爾吉奧·托里科,布萊克·瑞特森,湯姆·霍珀,加布里埃拉·賴特,卡羅琳·古多爾,愛麗絲·麥克米蘭,伊萬·朱里奇,米爾托斯·耶羅勒曼,帕特里克·休斯,德拉甘·米恰諾維奇,托米·梅,喬納斯·塔金影視排行
道師爺
梁家仁,林楓燁,樓南光,付赫安琪民國時期,一代奇人關(guān)師爺(梁家仁飾)行走江湖,巧遇妖狐作祟,斗法降妖,因此結(jié)識了,逢賭必輸?shù)娜~飛(林楓燁飾),二人聯(lián)手救人,關(guān)師爺斗法妖狐(付赫安琪飾),就此結(jié)下不解之緣。此事過后,關(guān)師爺巧妙化解青樓纏怨,為死去的冤者伸冤,卻再次與怪事纏身的葉飛相遇,于是,上演了一出“葉飛棒打偷雞賊,黃仙尋仇斗師爺”的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
電視臺風云
費·唐納薇,威廉·霍爾登,彼得·芬奇,羅伯特·杜瓦爾,尼德·巴蒂,比阿特麗斯·斯特雷特妻子的死給電視臺王牌主播霍華德(彼得·芬奇 Peter Finch 飾)帶來了沉重的打擊,使他陷入痛苦和悲傷中無法自拔。電視臺決定解雇已經(jīng)無心工作的霍華德,霍華德的老朋友麥克斯(威廉·霍爾登 William Holden 飾)成為了傳達這一噩耗的不二人選。得知自己即將被 解雇,為電視臺做牛做馬多年的霍華德十分憤怒,在第二天的節(jié)目上,他竟然向觀眾們預(yù)告,自己即將進行自殺直播?;羧A德的這一出格舉動惹惱了電視臺的高層,更讓一直對麥克斯心存不滿的總裁弗蘭克(羅伯特·杜瓦爾 Robert Duvall 飾)發(fā)現(xiàn)了找茬的機會。在隔天的新聞直播中,霍華德理應(yīng)按計劃對自己的不慎言行做出道歉,可是惱羞成怒的他卻大放厥詞,將矛頭直指當代美國的種種弊端。女制片人戴安娜(費·唐納薇 Faye Dunaway 飾)從霍華德的一系列行為中看出了商機,她買通了弗蘭克,成為了霍華德背后的推手。
迷失禁區(qū)
陳明民,梁鴻,王新宇,金晨曦...