不速之客（韓國倫理）

　　Moira Cole家人被殘忍地殺害后努力地想要重建破碎的生活，但一切并不會那么容易，因?yàn)闅⒑λ胰说恼桥c她擁有同樣血脈的表弟。

該片以詩圣杜甫創(chuàng)作鳳凰臺為引，講述了三位甘肅成縣人士回鄉(xiāng)參加鄉(xiāng)賢大會時(shí)，揭開了一段深埋于記憶長河的往事。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　澳大利亞悉尼，新南威爾士正遭受嚴(yán)重的干旱，水資源短缺成為亟待解決的問題。為了應(yīng)對這一情況，政府決定開發(fā)一項(xiàng)水資源循環(huán)利用的項(xiàng)目，其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向，在社會上引起了巨大爭論。雖然沸沸揚(yáng)揚(yáng)，但是該廢棄隧道的改造計(jì)劃卻戛然而止。與此同時(shí)，關(guān)于隧道中存在著神秘怪物的傳言也愈演愈烈。　　一段Youtube上流傳的視頻引起了女記者娜塔莎·華納（貝爾·戴利亞 Bel Deliá 飾）的注意，她聯(lián)系了幾名業(yè)內(nèi)的好友和同事，帶著攝像器材前往隧道中一探究竟，恐怖的旅程就此拉開序幕……