情色大屠殺

★ 4.8 播放：82萬(wàn) 更新：2026-04-25

維多利亞時(shí)代的英國(guó)小鎮(zhèn)萊姆，年輕的紳士查爾斯（杰里米艾恩斯 Jeremy Irons 飾）在海邊的懸崖上邂逅了一個(gè)神秘黑衣女子（梅麗爾斯特里普 Meryl Streep 飾）。聽(tīng)當(dāng)?shù)厝苏f(shuō)，黑衣女子名叫薩拉，因?yàn)樵c一名法國(guó)中尉有染，所以遭眾人非議，被稱為;法國(guó)中尉的女人。不過(guò)，查爾斯卻對(duì)這位遺世獨(dú)立的女人頗感興趣，盡管他已經(jīng)有了一個(gè)賢淑的未婚妻，并擬定了婚期，但他還是抑制不住薩拉的誘惑。兩個(gè)人在幾次試探后，終于開始幽會(huì)。薩拉對(duì)查爾斯講述了她的遭遇和經(jīng)歷，但這一幕卻被他人窺視，于是偷偷摸摸的私情面臨公諸于眾的危機(jī)無(wú)獨(dú)有偶，這段故事被改編成了同名電影，女主角薩拉的扮演者安娜與男主角查爾斯的扮演者邁克，也給戲中人一樣，保持著若即若離的情人關(guān)系，只是結(jié)局卻出人意料　

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劇情簡(jiǎn)介

維多利亞時(shí)代的英國(guó)小鎮(zhèn)萊姆，年輕的紳士查爾斯（杰里米艾恩斯 Jeremy Irons 飾）在海邊的懸崖上邂逅了一個(gè)神秘黑衣女子（梅麗爾斯特里普 Meryl Streep 飾）。聽(tīng)當(dāng)?shù)厝苏f(shuō)，黑衣女子名叫薩拉，因?yàn)樵c一名法國(guó)中尉有染，所以遭眾人非議，被稱為;法國(guó)中尉的女人。不過(guò)，查爾斯卻對(duì)這位遺世獨(dú)立的女人頗感興趣，盡管他已經(jīng)有了一個(gè)賢淑的未婚妻，并擬定了婚期，但他還是抑制不住薩拉的誘惑。兩個(gè)人在幾次試探后，終于開始幽會(huì)。薩拉對(duì)查爾斯講述了她的遭遇和經(jīng)歷，但這一幕卻被他人窺視，于是偷偷摸摸的私情面臨公諸于眾的危機(jī)無(wú)獨(dú)有偶，這段故事被改編成了同名電影，女主角薩拉的扮演者安娜與男主角查爾斯的扮演者邁克，也給戲中人一樣，保持著若即若離的情人關(guān)系，只是結(jié)局卻出人意料　

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亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet

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飆風(fēng)戰(zhàn)警

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交響詩(shī)篇超進(jìn)化3

歌舞大王齊格飛

威廉·鮑威爾,瑪娜·洛伊,路易絲·賴納,弗蘭克·摩根

導(dǎo)演精選

熾愛(ài)

　　烈火可以燒盡一切邪惡 但愛(ài)比烈火更為致命　　職場(chǎng)新秀克萊爾泳池偶遇美女伊芙，遂展開一段浪漫情緣，然而當(dāng)有一天她在其老板的派對(duì)上與伊芙再度重逢，卻發(fā)現(xiàn)對(duì)方的身份并非那么簡(jiǎn)單。不久后她又被卷入了其老板的謀殺案之中，原來(lái)她早已身在局中.....

情報(bào)2025

　　Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.