長今的性愛花園2

? 4.2 播放：77萬 2026-04-26
主演：未知

該劇與《大長今》一樣，都是以16世紀(jì)的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時(shí)卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時(shí)稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV。”而制作《大長今》的韓國MBC電視臺表示會(huì)采取法律措施來追究此事。MBC電視臺一名負(fù)責(zé)人稱：“當(dāng)我們得知這件事情的時(shí)候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴(yán)重?fù)p害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。

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劇情提要

該劇與《大長今》一樣，都是以16世紀(jì)的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時(shí)卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時(shí)稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV。”而制作《大長今》的韓國MBC電視臺表示會(huì)采取法律措施來追究此事。MBC電視臺一名負(fù)責(zé)人稱：“當(dāng)我們得知這件事情的時(shí)候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴(yán)重?fù)p害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

拼桌

對美食有著獨(dú)特見解的“碼農(nóng)”陸拾谷（王傳君 飾），與經(jīng)常用美食治愈生活的圖書編輯張嘉怡（江疏影 飾），因午飯時(shí)的拼桌意外結(jié)識，在一起尋找更多美味的經(jīng)歷下，兩人逐漸成為彼此味覺和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作，可心中卻翻涌著無限波濤，張嘉怡的圖書編輯工作、感情生活紛紛遇到瓶頸，在都市的煙火氣，牛馬打工人的迷茫中，拾谷與嘉怡最終會(huì)在味蕾與真心的指引下如何完成自我的成長？二人間又會(huì)產(chǎn)生怎樣宿命般的羈絆？一道色香味俱全的真香菜肴只待觀眾“嘗鮮”！