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小鬼神偷
克里斯汀·斯圖爾特,科賓·布魯,麥克斯·泰瑞奧,詹妮弗·比爾斯,山姆·洛巴茲尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標(biāo) , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照林肯大戰(zhàn)僵尸
小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德獵殺星期一
勞米·拉佩斯,格倫·克洛斯,威廉·達(dá)福,馬爾萬·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯爾斯蒂·阿弗頓,維加·霍爾,馬達(dá)林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉同類推薦
煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul一名美國青少女在學(xué)校慘遭霸凌,回?fù)舻暮蠊麉s是被送到感化學(xué)校,不過這所「學(xué)?!箤崉t更像一座監(jiān)獄,她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派,在這片龍蛇混雜之地殺出自己的生存之道……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley該作品改編自2000年同名紀(jì)錄片,講述塔米·菲(杰西卡·查斯坦 飾)和吉姆·貝克(安德魯·加菲爾德 飾)這對夫婦作為電視福音布道家的大起大落。在上世紀(jì)70-80年代,塔米·菲和吉姆·貝克從貧寒中奮起,創(chuàng)建了當(dāng)時世界上最龐大的宗教廣播電視網(wǎng)和一個主題公園,他們傳遞的愛、接納和繁榮的主題受到人們的尊敬。塔米 · 菲以她夸張的睫毛,獨特的歌聲、以及她熱情擁抱各行各業(yè)的人們而成為傳奇。不過好景不長,經(jīng)濟(jì)上的不當(dāng)行為、詭計多端的競爭對手以及性丑聞的爆發(fā)使得這對夫婦的婚姻破裂,導(dǎo)致他們精心構(gòu)建起來的帝國開始崩塌。
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
化身博士
弗雷德里克·馬奇,米利亞姆·霍普金斯,羅絲·霍巴德,福爾摩斯·赫伯特基克爾(弗雷德里克·馬奇 Fredric March 飾)是一名知識非常淵博的科學(xué)家,他將畢生的經(jīng)歷都投注到了探索人性的善惡奧妙之中,并且最終制造出了一種可怕的藥劑,這種藥劑能夠令基克爾化身成為海德先生,基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天,基克爾行醫(yī)救人樂善好施,待到夜幕降臨,海德先生便會現(xiàn)身,殺人害命,無惡不作?;藸栍幸晃幻幸淋剑桌麃喣贰せ羝战鹚?Miriam Hopkins 飾)的未婚妻,兩人之間的感情非常的要好,然而,海德先生的存在讓基克爾不自覺的被名叫碧翠絲(Eric Wilton 飾)的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦,他想要消滅海德先生。