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劇情簡(jiǎn)介
恩琪多變的生活在一個(gè)公寓已開始與三位女士：性感擁有一個(gè)公寓，她是誰更性感的女兒，和他純真的初戀。恩琪，大一新生，在寄宿家庭由母親和女兒時(shí)，他來到漢城學(xué)習(xí)找到了新的地方。他唯一的樂趣是跟在無言的推或拉的母女關(guān)系。有一天，他的初戀，不久矣，誰是無辜的，溫順的，突然出現(xiàn)在公寓里拜訪他。隨著公寓的門后面的性感的女兒，和曲線的女士主人的寄宿在浴室旁邊的房間里，20歲處女恩琪不眠夜開始。
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搭車客
尸骨袋1
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀(jì),京本大我,瀧藤賢一鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德害蟲
宮崎葵,蒼井優(yōu),田邊誠一,涼,伊勢(shì)谷友介導(dǎo)演精選
少林俗家弟子
程家少爺程亦鵬（范冬雨 飾）癡迷武術(shù)，程父試圖用婚姻約束其行為，程亦鵬遂決定遠(yuǎn)上少林做俗家弟子，如此既可躲避習(xí)武力強(qiáng)的未婚妻小翠，又能學(xué)習(xí)少林功夫，在與心上人小晴（何晴 飾）話別后，亦鵬奔赴少林。然而師父恒德（趙小銳 飾）日日只是讓一班俗家弟子做苦工，不肯教授少林功夫，師兄弟們雖不滿卻也無可奈何，加之小晴在少林附近落腳，程亦鵬和師兄弟們學(xué)著用各種方法苦中作樂。曾經(jīng)被逐出少林的一游俠在遍訪名師后，意欲挑戰(zhàn)少林，以報(bào)當(dāng)年未學(xué)到武功之恨，程亦鵬等俗家弟子被游俠多次毆打，恒德欲同游俠較量反被方丈關(guān)入藏經(jīng)閣。程亦鵬經(jīng)過苦工打熬，終有習(xí)武資格，在恒德指點(diǎn)下向游俠一雪前恥……
暗流低語
伊薇（尼娜·凱莉 Nina Kiri 飾）肩負(fù)著照顧臨終母親的重任，她渴望逃離支離破碎的現(xiàn)實(shí)帶來的孤獨(dú)感。如今，她住在一間堆滿感傷紀(jì)念品和回憶的房子里，理智和生活秩序都維系在她制作的超自然播客節(jié)目《底音》上。雖然她通常對(duì)搭檔賈斯汀發(fā)給她的那些令人毛骨悚然的音頻文件持懷疑態(tài)度，但最新收到的音頻卻讓她感到不同尋常。一對(duì)年輕備孕夫婦的十段從未公開錄音逐一揭曉，每一段都比上一段更加不祥。隨著伊薇將這些錄音與她目前的遭遇進(jìn)行對(duì)比，隱藏的信息逐漸顯現(xiàn)，將她推向瘋狂的邊緣……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.