激情日記3：背德之花園

　　三，是家的最小單位。血脈，是維系家庭的紐帶。然而，三個素不相識的人卻被命運交織在一起！　　善惡難辨的男人“馴鹿”，身懷六甲的女人李棋，啞巴男孩冰棍，三人假扮成一家人，游走于獵物與獵人之間，暗流已至，生死一瞬，一個關于家族式人口販賣的黑暗鏈條逐漸浮出水面！

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　平靜的湖畔小鎮(zhèn)，疼愛兒子的單親媽媽早織（安藤櫻 飾）、為學生著想的爽直老師保利 （永山瑛太 飾）以及天真爛漫的孩子們本過著安穩(wěn)的生活，卻因為一次校園沖突，發(fā)酵釀成軒然大波，惹起社會與媒體的關注。當事態(tài)越見嚴重，竟在一個暴風雨的清晨，兩個孩子雙雙失去了蹤影……

　　一名年輕的單親媽媽兼警探莫頓發(fā)現(xiàn)郊區(qū)的一間房子遭到一個復仇怨靈所詛咒，這使進入房子內(nèi)的人都會慘死。進入被詛咒的屋子中的她們必須設法從中救出自己和她的兒子，以免受怨靈的襲擊。