癡人之愛
28歲的煉油廠電力工程師河合讓治（小澤昭一 飾）沒有任何不良嗜好，被同僚當作怪物一樣的君子，但他樸素木訥的外表下卻隱藏著鮮為人知的秘密。來自鄉(xiāng)下的河合一心尋找一位美麗出色的女人為妻，而現(xiàn)今社會的浮華以及自己并不出色的資質(zhì)使這個愿望顯得遙不可及。 奇妙的機緣不期而至，河合偶遇淺草咖啡廳老板娘15歲的女兒直美（安田道代 飾）。他和老板娘簽下協(xié)定，將直美帶回家中進行文化、禮儀等方面的教育，希望親手將她培養(yǎng)成自己的理想配偶。青春年少的直美任性、調(diào)皮，河合則不惜一切代價也要滿足她的需求。但這種危險關(guān)系能夠持續(xù)多久呢？
即刻觀影
劇情賞析
編輯推薦
主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯在天眼尚未密布，監(jiān)場保安仍會打瞌睡的二十世紀七十年代，名畫大盜就是會光天化日，大剌剌走進美術(shù)館，直接把獵物從墻上取下放入布袋運走。看似兒戲的一切，背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式，改以其擅長的左翼簡約主義鏡頭，捕捉觸犯藝術(shù)罪行者的日常生活、雙面人的言行處境，以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口，但到頭來凸顯存在荒謬的公路逃亡，儼然為觀眾添加了不少欣賞和思考的層次。
甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀宇電金領(lǐng)孟夏貌美強悍，精明神勇，卻因未婚夫出軌而崩潰；SPA技師湯玲柔弱呆萌，嬌甜黏人，一再對吃軟飯的男友無力自拔。一場葬禮讓兩個被同一個男人傷害的隱秘情敵變成了磕磕絆絆的塑料花，日常斗嘴吐槽，情誼卻不斷升級。年輕陽光攝影師金哲的出現(xiàn)撩撥得二女春心萌動，同時陷入瘋狂的境地。幾番爭斗下來，男神巋然無動。兩女身心俱疲，感受到作為女人的無奈與悲涼，同時從這段荒唐的雌競中幡然醒悟，對愛情和女性的尊嚴、價值生發(fā)出全新的體悟。金哲究竟情囑何方？兩個大齡女最終愛歸何處？假閨蜜如何煉就真友誼？
半身死靈2
巖田小百合,仲村美羽,長宗我部陽子,松島初音,真知里沙,山本彩乃,朝倉蜜柑,安藤成子,水木薫,川上洋一郎,大島優(yōu)子經(jīng)歷了最可怕的一段過去，可奈（大島優(yōu)子 飾）已經(jīng)精神接近崩潰，殘酷命運的安排，讓她最終也無法逃脫半身死靈“嗒卡嗒卡”的獵殺。路過事故現(xiàn)場的水谷菜月和中島玲子是就讀同一所高中同一班級的好友，她們的學校即將舉行文化祭。擔任文化祭委員的玲子無意中觸怒了班內(nèi)小集團的頭頭刀根繪梨香，由此遭受了無休無止的孤立和欺凌。菜月看在眼里，卻不敢組織，只能隨波逐流。終于有一天，再也無法忍受的玲子將希望寄托在半身死靈身上，她將與繪梨香親近的同學相繼騙到人行天橋，目睹她們被獵殺的殘忍一幕?！ 〔嗽陆K于發(fā)現(xiàn)了好友的秘密，她嘗試阻止，并且了解到半身死靈的背景和不為人知的過去，可是為時已晚……
時裝
安吉麗娜·朱莉,阿尼爾·阿內(nèi)伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時裝周的狂熱中，三位女性在巴黎的生活中不期而遇，她們一邊應對著世界的悲劇，一邊思索著自己人生的問題：麥克斯（Maxine），一位40多歲的美國電影導演，發(fā)現(xiàn)自己患上了癌癥；阿達（Ada），一位年輕的南蘇丹模特，逃離了她注定的命運，卻被推入了一個充滿欺騙的世界；安吉爾（Angèle），一位在T臺幕后默默工作的法國化妝師，夢想著逃離自己的生活。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
錯誤指控
萊斯利·尼爾森,理查德·克里納,凱莉·勒布洛克,美琳達·麥格勞,麥克爾·約克,桑德拉·伯恩哈德,艾倫·坡爾,本杰明·拉特納,杰拉德·普倫科特,鄧肯·弗雷澤,John Walsh,Chick Hearn,瑪麗·布萊克,阿萊克斯·迪亞坤,阿德里安·多瓦爾,埃莉·哈維,Charles Payne,帕特·普羅夫特,薇娜·蘇德,比爾·塔爾林,Shari Lewis一次演奏會上，小提琴家瑞安（萊斯利?尼爾森 Leslie Nielsen 飾）邂逅了美艷婦人勞倫（凱麗?勒布克 Kelly LeBrock 飾），勞倫對他大拋媚眼，嚇得瑞安不知所措。聯(lián)合國秘書長羅伯特將到哥倫比亞作反恐演講，勞倫的丈夫希賓負責安排一切。這天瑞安收到了勞倫的邀請，并注明如果他不前來她將自殺。揣揣不安的瑞安如約來到了勞倫的別墅，卻發(fā)現(xiàn)希賓早已倒地身亡。突然，一名獨眼獨臂獨腿的男人出現(xiàn)將瑞安擊暈了。 當瑞安醒來后，他已被警察抓了起來，荒謬的是，瑞安謀殺希賓的罪名成立了。盡管他一再分辯，但他還是被押往監(jiān)獄。途中囚車意外翻下了山崖，大難不死的瑞安開始了亡命天涯，他一方面要逃避追捕，一方面要設法找證據(jù)還自己一個清白！