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莫德羅監(jiān)獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費(fèi)爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco1976年，一名會計(jì)師因莫須有的罪名，將面臨不公正的刑事判罰，他決心一斗到底。西班牙導(dǎo)演阿爾韋托·羅德里格斯（《千面人》）闊別6年重回大銀幕的新作，根據(jù)真實(shí)事件創(chuàng)作，于現(xiàn)已關(guān)閉的巴塞羅那莫德羅監(jiān)獄內(nèi)實(shí)景拍攝，回溯1976年弗朗哥去世后的西班牙民主過渡期。影片巧用突然驚嚇營造驚悚氣氛，反映獄警對犯人的多種慘無人道的摧殘；藉由民憤輪番上演花式越獄，點(diǎn)燃普通人的求生之火，強(qiáng)烈抨擊國家法律體系的不公。榮獲2023年西班牙戈雅獎16項(xiàng)提名，最終攬獲最佳美術(shù)指導(dǎo)等5項(xiàng)技術(shù)大獎。
笑臉殺人狂
羅南·魯賓斯坦,米婭·塞拉菲諾,克里斯平·格洛弗,阿馬迪厄斯·塞拉菲尼,阿什莉·里卡茲,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey PratherAbout a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.
玩具熊的五夜后宮：紫色的淚
Bomber Hurley Smith當(dāng)10個年輕人去探索一家廢棄的比薩店時，他們很快就知道，他們將不得不為自己的生命而戰(zhàn)，同時試圖揭開比薩店令人不安的歷史。
夢鄉(xiāng)
杰森·莫瑪,瑪洛·巴克利,凱爾·錢德勒,克里斯·奧多德,茵地亞·德·比尤福特,亨伯利·岡薩雷斯,托尼婭·科妮斯,韋魯切·歐皮亞,凱特琳娜·塔克西亞,邁克爾·布萊克,杰米拉·羅斯,張振熙,Luxton Handspiker,Sergio Osuna,Cameron Nicoll《沉睡之地》將觀眾帶到了一個神奇的新地方，在這個夢幻世界里，人小鬼大的尼莫（瑪洛·巴克利飾）和她古怪的同伴弗利普（杰森·莫瑪飾）開啟了終生難忘的冒險之旅。父親皮特（凱爾·錢德勒飾）意外在海上失蹤后，小尼莫在西北太平洋田園般的生活被徹底顛覆，她被送到城市，和她心地善良卻極其笨拙的叔叔菲利普（克里斯·奧多德飾）一起生活。她的新學(xué)校和新生活在白天充滿挑戰(zhàn)，而到了晚上，一張通往沉睡之地奇幻世界的秘密地圖讓尼莫和弗利普建立了友誼。弗利普是一個性格粗暴但有點(diǎn)可愛的不法之徒，是尼莫的同伴和向?qū)?。尼莫和弗利普很快便踏上了一段穿越夢境、逃離噩夢的不可思議的旅程，并開始希望她能再次與父親團(tuán)聚?！ 冻了亍酚筛ダ饰魉埂趥愃梗ā段沂莻髌妗贰娥囸I游戲 2：星火燎原》《饑餓游戲 3：嘲笑鳥》）執(zhí)導(dǎo)，大衛(wèi)·蓋恩和邁克爾·漢德爾曼（《博物館奇妙夜 3》）擔(dān)任編劇，彼得·切寧、詹諾·托平、戴維·雷迪和弗朗西斯·勞倫斯共同擔(dān)任制片人。該電影主演還包括韋魯切·歐皮亞、茵地亞·德·比尤福特和亨伯利·岡薩雷斯。
箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優(yōu)子,川瀨陽太這部1973年的小說由安部公房創(chuàng)作，講述了一位無名男子放棄自己的身份，頭頂一個大紙箱生活的故事。在東京街頭游蕩時，他遇到了各種各樣的人物。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster