惡人之妻的屁股

★ 7.0 播放：40萬 更新：2026-04-24
主演：樹花凜 

本片由日本女優(yōu)樹花凜主演，樹花凜，日本著名女優(yōu)，參演多部經(jīng)典作品，因外表楚楚動人，常常扮演蘿莉等角色，另外，她還是一名重口味演員，舉辦過緊縛攝影會，對捆綁、SM非常熱愛，本片也是她主演的一部捆綁類型電影。本片講述了由樹花凜飾演一位社長夫人，社長唯利是圖，是個十惡不赦的商人，曾有一個工廠工人苦苦哀求社長收購他們工廠生產(chǎn)的產(chǎn)品，可是社長并沒有把他看在眼里，工廠倒閉后，傷心欲絕的工人決定跟社長死磕到底，他闖進了社長家中，強奸了社長夫人，并將她捆綁起來，在社長回家后，再次綁架了社長，當(dāng)著社長的面，再次對社長夫人進行性侵和侮辱..... 　　

在線播放

劇情簡介

本片由日本女優(yōu)樹花凜主演，樹花凜，日本著名女優(yōu)，參演多部經(jīng)典作品，因外表楚楚動人，常常扮演蘿莉等角色，另外，她還是一名重口味演員，舉辦過緊縛攝影會，對捆綁、SM非常熱愛，本片也是她主演的一部捆綁類型電影。本片講述了由樹花凜飾演一位社長夫人，社長唯利是圖，是個十惡不赦的商人，曾有一個工廠工人苦苦哀求社長收購他們工廠生產(chǎn)的產(chǎn)品，可是社長并沒有把他看在眼里，工廠倒閉后，傷心欲絕的工人決定跟社長死磕到底，他闖進了社長家中，強奸了社長夫人，并將她捆綁起來，在社長回家后，再次綁架了社長，當(dāng)著社長的面，再次對社長夫人進行性侵和侮辱..... 　　

導(dǎo)演精選

大明嬪妃之離間

　　姚芊芊腹中的孩子即將足月，為了讓大家相信孩子是太子的，鄭貴妃命她帶蘭心去郊外寺廟進香，自己則安排手下裝作歹徒襲擊二人，讓姚芊芊有理由“受驚早產(chǎn)”，并想伺機除掉蘭心。誰知，姚芊芊真的受驚動了胎氣，幸有蘭心全力相助，這才九死一生，在途中產(chǎn)下一子。從此，姚芊芊視蘭心為生死之交，王恭妃見狀，卻誤以為蘭心被鄭貴妃收買。王恭妃明白梅兒和蘭心情同手足，為防止梅兒隨蘭心一同倒戈，她開始用各種方式離間兩人的關(guān)系 ?！　∶穬涸巧瞎俅笕伺c歌女李月棠之女，實為蘭心之妹。

靈菁傳

前世將軍養(yǎng)女與兄長因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛上舊人之子，在宿命糾葛下開啟極致人妖虐戀。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.