索多瑪執(zhí)政官
別名： El consul de Sodoma Jaime Gil de Biedma（豪爾迪 middot;莫利亞飾），西班牙加泰羅尼亞詩人，20世紀(jì)50年代西班牙文壇最重要的作家之一。1929年11月13日，他出生在巴塞羅那的一個(gè)貴族家庭。他的詩歌創(chuàng)作曾受艾略特和波特萊爾影響，早年作為共產(chǎn)主義同情者，他關(guān)注社會問題，用詩歌對西班牙的專政進(jìn)行過強(qiáng)烈的抨擊。 1959年春，海梅來到菲律賓馬尼拉，接手他父親在煙草公司工作。這時(shí)，他便有了強(qiáng)烈的同性戀傾向，開始了他充滿矛盾的人生。 作為一位上流社會的紳士，尤其是一位跨國公司的總裁，他沒有掩藏他的性意向，并且在他的詩歌里還公開顯露。同性戀在當(dāng)時(shí)非常保守的社會環(huán)境下，是個(gè)不得人心的產(chǎn)物，因此，海梅的生活遭到人們的唾棄；加之他有西班牙某組織員的嫌疑，佛朗哥政權(quán)沒有一刻地停止對他的威脅。這更加激發(fā)了海梅的創(chuàng)作熱情，他揭露資本主義制度下勞動(dòng)人民的苦難、佛朗哥政權(quán)對婦女的歧視和壓迫來批判資產(chǎn)階級的虛偽的詩歌，一度深受歡迎；但他以同性戀為題的詩歌又幫助了同性戀現(xiàn)象而使之恢復(fù)了生氣。 海梅的雙性戀生活被淹沒在家庭、愛情、性、文學(xué)和政治斗爭的漩渦中。一方面，他致力于詩歌揭示加泰羅尼亞地區(qū)暴力和叛亂根源的同時(shí)，還要維護(hù)大資產(chǎn)階級家庭利益和名譽(yù)；再者，他始終保持著一種令人興奮的生活，他需要文學(xué)界的友誼和活躍的性生活，不管是男人還是女人，并把他的生活和幻想變化成充滿色情的詩句...... 1990年1月8日,海梅死于愛滋病。其實(shí)，早在他去世前十幾年，無論是絕望于爭取佛朗哥政權(quán)民主過渡的政治斗爭，或是變成了一個(gè)無法逃脫而順從資產(chǎn)階級冷漠、失去生活目標(biāo)的虛無主義者，還是沉浸在個(gè)人私欲的放縱中，海梅已有意識地停止了他的文學(xué)創(chuàng)作。
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.