葉甫蓋尼·奧涅金的生活很奢華：舞會(huì)、招待會(huì)、戲劇首演以及首都能為年輕人提供的其他娛樂(lè)活動(dòng)。但社交生活早已讓他疲憊不堪，因此他認(rèn)為住在村里的叔叔生病的消息是一個(gè)逃離令人厭惡的世界的機(jī)會(huì)。然而，到了莊園后，奧涅金得知一個(gè)親戚去世了，但這并沒(méi)有讓葉甫蓋尼太難過(guò)。他的經(jīng)濟(jì)狀況非常糟糕，叔叔很有錢(qián)，卻沒(méi)有其他繼承人。奧涅金把自己關(guān)在莊園里，避開(kāi)鄰居，鄰居們很快就開(kāi)始稱(chēng)他為怪人。葉甫蓋尼過(guò)著漫無(wú)目的的孤獨(dú)生活，直到從國(guó)外回來(lái)的莊園主人出現(xiàn)在鄰近的莊園--一個(gè)年輕、熱情、對(duì)生活尚未滿(mǎn)足的連斯基，他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

ynyixuepx.cn m.tuoan.org www.whhul.com www.hzwdesign.com m.lnsdjd.cn

白日夢(mèng)2

在線(xiàn)看

同款熱播

二十

眨眼之間

咸魚(yú)翻身

完美伴侶2025

葉甫蓋尼·奧涅金

等待方舟

相關(guān)推薦