紅發(fā)

 隨著赫爾曼·J·曼凱維奇爭分奪秒地完成奧遜·威爾斯的《公民凱恩》劇本，人們將通過這位尖刻的社會評論家兼嗜酒編劇的視角，重新審視 20 世紀 30 年代的好萊塢。

　　影片講述了一個從小被拋棄于森林，依照動物生存模式存活下來的女人。被一個男人擄掠回家并且受盡欺凌。這家人中，男主人極度大男子主義，仇視女人。小兒子因為受父親教導也對女人極不尊敬。懦弱并逆來順受的母親，被父親侮辱而懷孕的大女兒，以及不諳世事的小女兒。故事的最后，大女兒在極度絕望和恐懼的支配下放了野女人，野女人殺了她的父母和弟弟，帶走了她的妹妹。 　　本片以不太恐怖的氛圍，卻深刻的暗喻了一個至今仍然存在的嚴重的社會現(xiàn)象，男人應該如何看待女人，女人應該如何正確扮演家庭中的角色。

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

Young professor Anton Kosmich studies the history of Belarus. One day he is mystically transported to the Middle Ages, where he will have to unravel the secrets of the past millennia.