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斷魂小丑
珍娜·凱內(nèi)爾,薩曼莎·斯卡菲迪,戴維·霍華德·桑頓,凱瑟琳·科科蘭,Pooya Mohseni,Matt McAllister,Michael Leavy,凱蒂·馬奎爾,吉諾·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,瑪格麗特·里德,Kamal Ahmed寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內(nèi)公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover瑞典魚(yú)雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內(nèi)爾·弗雷德大佛普拉斯
莊益增,陳竹升,戴立忍,張少懷,陳以文,納豆,丁國(guó)琳,李永豐,朱約信,雷婕熙,林美秀,小亮哥,游安順,梁赫群,脫線(xiàn),鄭宇彤,魯文學(xué)瑞典魚(yú)雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內(nèi)爾·弗雷德大明嬪妃之反攻
宋洋,何杜娟,朱一龍,陳一諾,關(guān)慧卿,王藝曈,王春妹同類(lèi)推薦
領(lǐng)養(yǎng)驚魂
約翰·庫(kù)薩克,蕾切爾·勒費(fèi)夫爾,瑞恩·菲利普,路易斯·古茲曼,杰基·韋佛,伊莎貝拉·阿德里亞尼,Blas Diaz史蒂芬（瑞恩·菲利普）與莎倫（蕾切爾·李費(fèi)佛）來(lái)到波多黎各，打算接走通過(guò)中介收養(yǎng)的海地小女孩妮娜。他們?cè)诼灭^結(jié)識(shí)了穿著防風(fēng)衣，頭發(fā)亂糟糟的本杰明（庫(kù)薩克）。六萬(wàn)元的費(fèi)用付出手，妮娜卻突然失蹤，領(lǐng)養(yǎng)中介的工作人員不翼而飛，網(wǎng)站也無(wú)法打開(kāi)…… 當(dāng)?shù)鼐旄嬖V他們，兩人是中了釣魚(yú)詐騙的圈套，以收養(yǎng)孩子為誘餌，拿到收養(yǎng)費(fèi)后就把孩子帶走，再去尋找下一個(gè)受害人。然而夫婦倆的厄運(yùn)還沒(méi)完，本杰明似乎是看準(zhǔn)了兩人是條大魚(yú)，把他們監(jiān)禁起來(lái)，要榨光他們所有的積蓄。
粗野派
阿德里安·布羅迪,菲麗希緹·瓊斯,蓋·皮爾斯,喬·阿爾文,拉菲·卡西迪,斯塔西·馬汀,艾瑪·萊爾德,伊薩赫·德·班克爾,亞歷桑德羅·尼沃拉,亞里安妮·拉貝德,米迦勒·埃普,喬納森·海德,彼得·多卡普,瑪利亞·桑德,澤潘·漢森·阿米薩,薩爾瓦多·桑索內(nèi),查理·埃索科,列文特·奧爾班,貝內(nèi)特·維爾曼尼,彼得·德意志,安娜·梅索伊,杰米斯·巴特勒,尼克·威特曼,娜塔莉·欣尼克,杰瑞米·惠勒,馬特·戴維爾,斯蒂芬·薩拉科,彼得·林卡,羅伯特·杰克遜,多拉·薩塔倫基故事圍繞匈牙利出生的猶太建筑師拉斯洛·托斯與妻子埃爾茲貝特展開(kāi)。他們?cè)诙?zhàn)后逃離歐洲，前往美國(guó)重啟他們的事業(yè)，并見(jiàn)證了現(xiàn)代美國(guó)的誕生。然而他們的生活被一名神秘而富有的客戶(hù)改變了。
次世代機(jī)動(dòng)警察：首都決戰(zhàn)
真野惠里菜,福士誠(chéng)治,筧利夫,太田莉菜,千葉繁在毫無(wú)征兆的一個(gè)晴朗日子，一枚導(dǎo)彈筆直飛來(lái)，將國(guó)際大都會(huì)東京都內(nèi)極具代表性的彩虹橋炸為兩截。該事件在都內(nèi)引起不小的騷動(dòng)，此后不久，警視廳公安部外事三課的警部高畑慧（高島禮子 飾）帶著相關(guān)視頻資料找到藤田繼次（筧利夫 飾）所統(tǒng)率的特車(chē)二課，經(jīng)分析發(fā)現(xiàn)這次襲擊來(lái)自于那架自衛(wèi)隊(duì)不久前失竊的新型戰(zhàn)斗直升機(jī)AH-88J2改“灰色幽靈（Grey Ghost）”。經(jīng)高畑之口得知，該恐怖事件與拓植行人、灰原零（森カンナ 飾）有直接的關(guān)系。而在紛亂的實(shí)踐中，特車(chē)二課則面臨著被撤消的危險(xiǎn)?！ |京一千萬(wàn)人口淪為暴動(dòng)分子的人質(zhì)，面對(duì)前所未有的危機(jī)，泉野明（真野惠里菜 飾）和她的LABOR能否力挽狂瀾？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
詭風(fēng)怪談
茱莉亞·古丹妮·泰勒斯,阿什利·祖克曼,凱特琳·杰拉德,迪倫·麥蒂西部荒野，住著麥克林夫婦——伊薩克（阿什利·祖克曼 Ashley Zukerman 飾）和莉茲（凱特琳·杰拉德 Caitlin Gerard 飾）。這里條件艱苦，環(huán)境惡劣，人煙稀少，野獸橫行。莫大的孤寂令莉茲時(shí)常警惕地環(huán)視四周，防備一切可能的危險(xiǎn)。某天，哈普爾夫婦——吉迪恩（迪倫·麥蒂 Dylan McTee 飾）和艾瑪（茱莉亞·古丹妮·泰勒斯 Julia Goldani Telles 飾）搬到了麥克林家附近，成為他們的鄰居。兩家人很快就成了好朋友，特別是莉茲有了艾瑪這個(gè)好姐妹，似乎心理也正常了許多?！ 『镁安婚L(zhǎng)，某晚艾瑪?shù)那闆r變得很糟糕，她擔(dān)心神秘的存在將危及她的孩子。荒野大風(fēng)卷起，烏云密布……