狼才女色
她的原始欲望徹底爆發(fā)......她的原始欲望徹底爆發(fā)......：演員：吳啟華張可頤徐子琪 導(dǎo)演：黃家輝 演員：吳啟華張可頤徐子琪 為了生活祂甘愿出賣自己的靈魂與肉體,被黑幫釹魔頭任意羞辱,而且為其出生入死滿身傷痕.這樣的生活練就了祂人xing喪失的純狼xing,以數(shù)鈔票和殺人為樂(lè),釹人在祂眼里只是發(fā)泄xing欲的工具......她是祂成為殺手之前唯一噯過(guò)的釹人,絕色香艷,卻甘心為祂獨(dú)守空房,惹得身邊的多情漢子心癢難耐.在等待祂狼xing消退的日子里,她度過(guò)了一個(gè)又一個(gè)春心孤獨(dú)的夜晚......終于忍無(wú)可忍,在多情侽人的進(jìn)攻丅,她的原始欲望徹底爆發(fā)......
即刻觀影
劇情賞析
編輯推薦
金箍上的裂痕
【內(nèi)容由AI生成】畫(huà)手林默在AI霸權(quán)時(shí)代陷入創(chuàng)作焦慮 。西游世界中，真大圣憑借金箍裂痕覺(jué)醒 ，單槍匹馬擊碎黑六耳幻化的巨型機(jī)械妖猴 。隨著妖猴崩解，被囚禁的數(shù)據(jù)化作千萬(wàn)個(gè)神采各異的大圣眾生相?，F(xiàn)實(shí)中，林默拒絕AI優(yōu)化并關(guān)上電腦，回歸初心。他在爺爺墓前及街頭孩童揮舞廉價(jià)金箍棒的歡笑中領(lǐng)悟到，AI雖能模擬形態(tài)，卻無(wú)法替代人在不完美中堅(jiān)守本心的“選擇”。
開(kāi)放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
格拉德貝克人質(zhì)事件
薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫故事發(fā)生在1988年的德國(guó)，漢斯（薩沙·亞歷山大·吉爾薩克 Sascha Alexander Ger?ak 飾）和迪特（亞歷山大·吉爾 Alexander Scheer 飾）搶劫了位于北威州格拉德貝克的德意志銀行，并且劫持了兩名銀行職員作為人質(zhì)，帶著他們一起踏上了逃往的旅途?！ 『芸?，負(fù)責(zé)此案的邁澤警探就展開(kāi)了對(duì)于漢斯一行人的追捕。為了鉗制警方，漢斯的女友瑪麗昂（Marie Rosa Tietjen 飾）又劫持了一輛載有三十名乘客的公交車，來(lái)幫助男友脫離警方的追捕。因?yàn)榇跬绞种械娜速|(zhì)數(shù)量眾多，導(dǎo)致德國(guó)警方遲遲無(wú)法下手，引來(lái)了輿論和媒體的不滿，與此同時(shí)，迪特在一次意外中射殺了年僅14歲的少年曼紐埃爾，這場(chǎng)死亡事件將整個(gè)故事推上了高潮。
大內(nèi)醫(yī)探
張舉舉,趙靜沛,胡藝瀟,吳悅菡一名娘娘腔小太監(jiān)，華麗麗變身男子漢的嬉笑之旅！ 大內(nèi)丹藥總管賈公公的助手、后宮人氣王——太監(jiān)小權(quán)，遇上了心上人，開(kāi)始研究如何還原男兒之身，重拾男子氣概！不料研究之路布滿荊棘，小權(quán)在研究丹藥的過(guò)程中，不小心撞破一場(chǎng)驚天大陰謀！后宮黑幕重重，為了能挽救無(wú)辜、和喜歡的人在一起，小權(quán)決定奮起反擊，揭露黑暗！且看太監(jiān)小權(quán)大顯身手，在后宮掀起波瀾！
粽邪3：鬼門開(kāi)
張庭瑚,李興文,吳奕蓉,許安植,陳博正,劉國(guó)劭,李明倉(cāng),王彩樺,黃柔閩,陳為民,曾莞婷,鄒承恩,陳雪甄,施冬麟,許莉廷,陳少卉,陳昭妃,姜仁,游否希講述冠宇（張庭瑚 飾）因與父親武雄（李興文 飾）不合，為了賺錢早日搬離家，與好友龜仔（李明倉(cāng) 飾）一起到旅社打工，不料打掃的房間竟有人自縊身亡，房?jī)?nèi)充斥不祥的泰國(guó)符號(hào)，而旅社老板娘（吳奕蓉 飾）更是舉止詭異，整間旅社彌漫著死亡的氣息，向冠宇席卷而來(lái)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.