羔羊游戲
故事發(fā)生在1996年之前的香港，女主雪莉在自己的婚禮現(xiàn)場遭遇劫匪挾持，并目睹丈夫死于匪徒槍下。無法走出陰霾的她現(xiàn)于一家射箭館任職。臺風(fēng)之夜，她意外滯留樓內(nèi)，目擊同一幫匪徒在大廈內(nèi)殺人，她也不慎暴露了自己的蹤跡，在驚惶不安的逃亡過程中，她意外遇到了同為滯留者的盲眼老人南哥，兩人一邊抵抗匪徒的無情追殺，一邊設(shè)法逃離這棟噩夢般的大廈。然而窮兇極惡的匪徒竟要?dú)⑷藴缈冢├蚺c南哥在信號中斷、出口全部被封的大樓內(nèi)，苦苦找尋著活下去的辦法……
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劇情提要
故事發(fā)生在1996年之前的香港，女主雪莉在自己的婚禮現(xiàn)場遭遇劫匪挾持，并目睹丈夫死于匪徒槍下。無法走出陰霾的她現(xiàn)于一家射箭館任職。臺風(fēng)之夜，她意外滯留樓內(nèi)，目擊同一幫匪徒在大廈內(nèi)殺人，她也不慎暴露了自己的蹤跡，在驚惶不安的逃亡過程中，她意外遇到了同為滯留者的盲眼老人南哥，兩人一邊抵抗匪徒的無情追殺，一邊設(shè)法逃離這棟噩夢般的大廈。然而窮兇極惡的匪徒竟要?dú)⑷藴缈?，雪莉與南哥在信號中斷、出口全部被封的大樓內(nèi)，苦苦找尋著活下去的辦法……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.