殘暴集中營(yíng)

溫德?tīng)柡蛻褷柕?/h3>

　　創(chuàng)意鬼才亨利·塞利克和制片人喬丹·皮爾這次帶來(lái)動(dòng)畫(huà)《惡魔兄弟》，講述了狡猾的惡魔兄弟溫德?tīng)枺聘?邁克爾·凱配音）和瓦爾德（皮爾配音）向凱特·艾略特（一名被負(fù)罪感支配的堅(jiān)強(qiáng)少女）求助，希望她能將他們召喚至人間。但與之相對(duì)的，凱特也提出要求，進(jìn)而引發(fā)了一場(chǎng)奇異無(wú)比、笑料百出的獨(dú)特冒險(xiǎn)。影片全篇采用定格動(dòng)畫(huà)的手工藝術(shù)進(jìn)行制作，是一部無(wú)視生死法則的動(dòng)畫(huà)狂想曲。

曠野

　　Troubled teens attend a Wilderness Therapy program in Utah's desert, navigating personal challenges amidst the harsh Outback environment.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster