五到九
巴西世界盃總決賽當(dāng)日,下午五點(diǎn),中國少年民工縮衣節(jié)食,滿心期待下班后與應(yīng)召姐姐共度良宵,殊不知她早已買好了離城的車票。晚間九點(diǎn),新加坡男教師與輕熟女想來場隱密的山頂幽會(huì)卻被不解風(fēng)情的計(jì)程車司機(jī)不斷打擾。午夜一點(diǎn),在日俄交界的偏遠(yuǎn)小鎮(zhèn),神祕放映師面對流氓漁民的暴力討債,必須搶救打火機(jī)下的心愛膠卷。清晨三點(diǎn),精心拍攝的科幻恐怖片眼看就要?dú)⑶?,因?yàn)閼岩缮頌樽约浩拮拥呐鹘桥c男主角有染,泰國導(dǎo)演竟開始分不清虛構(gòu)與現(xiàn)實(shí)。
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劇情提要
巴西世界盃總決賽當(dāng)日,下午五點(diǎn),中國少年民工縮衣節(jié)食,滿心期待下班后與應(yīng)召姐姐共度良宵,殊不知她早已買好了離城的車票。晚間九點(diǎn),新加坡男教師與輕熟女想來場隱密的山頂幽會(huì)卻被不解風(fēng)情的計(jì)程車司機(jī)不斷打擾。午夜一點(diǎn),在日俄交界的偏遠(yuǎn)小鎮(zhèn),神祕放映師面對流氓漁民的暴力討債,必須搶救打火機(jī)下的心愛膠卷。清晨三點(diǎn),精心拍攝的科幻恐怖片眼看就要?dú)⑶?,因?yàn)閼岩缮頌樽约浩拮拥呐鹘桥c男主角有染,泰國導(dǎo)演竟開始分不清虛構(gòu)與現(xiàn)實(shí)。
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孔雀舞曲
影片根據(jù)樸玟奎的同名小說改編,講述相貌平平的女人和喜歡她的男人的成長故事。