奇異夫婦

　　攝影師麗莎突然失蹤。最后的線索指向她拍攝過的七個足球場——它們散落在格魯吉亞七個偏遠村莊。父親伊拉克利踏遍這些球場尋女，麗莎的摯友、如幽靈般的列瓦尼悄然加入搜尋。每當球場更迭，相遇的村民與他們的故事便如走馬燈般輪轉(zhuǎn)?？此苹恼Q的旅程里暗涌漸起：每踏過一片坑洼的草場，每穿過 一座寂靜村莊，找到麗莎的希望便如晨霧般日漸稀薄。

　　獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器，卻意外地發(fā)現(xiàn)這臺儀器擁有強大的商業(yè)價值，最終四人相互爭斗的局面?！独坠堋肥菍а菔捕?卡魯斯(ShaneCaruth)首次執(zhí)導的劇情長片，該片由他自己投資，并身兼編劇、導演、主演數(shù)職，體現(xiàn)出獨立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當于一輛富康車的價錢……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

八路軍教導員王金執(zhí)行鋤奸任務(wù)失敗又遭叛徒誣陷，被組織審查。王金憑著對黨的忠誠和堅強的意志率領(lǐng)這些身份復(fù)雜、性格迥異的人最終組成了一支神秘的隊伍，出生入死、歷經(jīng)艱險，突破重重險境，重新匯入抗日洪流，最終完成了鋤奸任務(wù)的故事。