惡魔的房間

8.6 播放:66萬 更新:2026-04-25
主演:未知

播放通道

詳細簡介

同類推薦

奪命網(wǎng)紅2

卡桑德拉·諾德,喬治娜·坎貝爾,麗莎·德拉馬爾,喬納森·懷特賽爾,維羅妮卡·隆,迪倫·普萊費爾

  在法國南部,一位年輕女性對謀殺和身份盜竊的令人毛骨悚然的癡迷將她的生活卷入了混亂之中。

鐵弓傳奇

孟可,王昱凱,潘洋,張莉佳,李運凱

總兵石須龍之子石倫強搶秀英,匡忠出手相救、拉開寶弓,二人因弓結(jié)緣。秀英、匡忠逃跑途中互生情愫,二人在識破石須龍貪污軍餉罪行的過程中重新認識彼此、相知相愛,聯(lián)合月英帶領(lǐng)的二龍山眾兄弟打倒石須龍。

塵兔

大衛(wèi)·達斯馬齊連,麥斯·米科爾森,西格妮·韋弗,瑞貝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao

  小女孩Aurora(Sloan)去尋求鄰居(米科爾森)的幫助:她相信家人被住在自己床底下的一個妖怪吃掉了,而這個鄰居恰巧是訓(xùn)練有素的殺手,并且確信Aurora的父母是被一群來殺自己的人給誤殺,于是,殺手的第一要務(wù)變成了保護小女孩的安全,兩人一起上路,并肩面對自身的惡魔。

守骨異獸

約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金

 一顆隕石撞擊蘇格蘭偏遠森林,意外喚醒了自尼安德特人時代就蟄伏地底、以骨骼為食的遠古克蘇魯式怪獸 “守骨異獸”。1976 年,調(diào)查者詹姆斯?惠勒深入洞穴后離奇失蹤,僅留下一張怪獸剪影的 8mm 膠片。數(shù)十年后,他的孫女奧利維亞為尋找同樣失蹤的母親,帶領(lǐng)一群好友與怪獸專家哈里斯教授,深入洞穴系統(tǒng)調(diào)查連環(huán)失蹤案,卻不知自己正被這只地底生物步步獵殺,陷入絕境求生的獵殺游戲。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.