即刻觀影
劇情賞析
編輯推薦
莎拉的筆記本
貝倫·魯埃達,馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬·門德斯勞拉，來自馬德里的西班牙律師，為尋找她失蹤的妹妹薩拉，深入剛果叢林的鈳鉭鐵礦產(chǎn)區(qū)，營救妹妹
守護惡魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong故事設定在20世紀90年代末的越南西南部鄉(xiāng)村，講述了年輕女子Lan（Ph??ng Thanh飾）在父親去世后，前往一位名叫Danh（M?c V?n Khoa飾）的鰥夫家中擔任女傭。她很快發(fā)現(xiàn)這座房子隱藏著可怕的秘密：神秘的死亡事件接連發(fā)生，村莊中流傳著關于“守財靈”的傳說——一種通過黑暗儀式召喚的靈體，用于守護財產(chǎn)，但會對陌生人造成致命威脅。Lan與一位名叫S?n（Qu?c Tr??ng飾）的恐怖小說作家聯(lián)手，試圖揭開這些離奇事件背后的真相。
選擇之她·他
王馨婕,陳驍,馬浚揚,林未,梁瀟雁,陳庭尉,劉海燕一個選擇，兩種人生軌跡。她的故事，還是他的真相？
牙仙歷險記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴苛傳統(tǒng)的世界。在一次冒險中，他遇見了世界上最可愛的小巨魔，以及擁有科學天賦、勇敢無畏的小妖精。三個小小生物從此展開旅程，努力聯(lián)合各自的王國，同時躲避心懷不軌、蠢蠢欲動的蜘蛛威脅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
吹笛人
夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler當一位作曲家的任務是完成她已故導師的協(xié)奏曲時，她很快發(fā)現(xiàn)演奏音樂會帶來致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺醒的邪惡。