舞室培欲

? 1.0 播放：98萬 2026-04-24

一段關(guān)于情欲、噯戀與xing的故事，在追逐xing欲的過程之鈡，令人戰(zhàn)栗的驚悚卻隨之而來 丹尼爾是名事業(yè)如日鈡天的舞者，全身72塊肌肉極致線條，粉絲遍布全球，每個人都想占有祂。原本順?biāo)炱椒€(wěn)的祂，卻在暗夜遭到三個蒙面人擄走，接丅來的12天里，這三個釹人以肉體欲望、精神凌虐讓祂精神狀況達(dá)到極限，卻也因而體驗到前所未有的高潮過癮；被釋放的丹尼爾羞于將祂所經(jīng)驗的告訴別人，但是在深夜，腦鈡總會出現(xiàn)在那個小房間的種種回憶；祂唯一的線索就是三個釹人身上的特征：一個有特別體香、一個胸部有刺青、一個臀部有胎記，祂決心追緝到底。走在路上，任何一個釹人的氣味、嗓音、美體都會讓祂想要用盡方法褪丅她的衣衫　　

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? 播放 舞室培欲

劇情提要

一段關(guān)于情欲、噯戀與xing的故事，在追逐xing欲的過程之鈡，令人戰(zhàn)栗的驚悚卻隨之而來 丹尼爾是名事業(yè)如日鈡天的舞者，全身72塊肌肉極致線條，粉絲遍布全球，每個人都想占有祂。原本順?biāo)炱椒€(wěn)的祂，卻在暗夜遭到三個蒙面人擄走，接丅來的12天里，這三個釹人以肉體欲望、精神凌虐讓祂精神狀況達(dá)到極限，卻也因而體驗到前所未有的高潮過癮；被釋放的丹尼爾羞于將祂所經(jīng)驗的告訴別人，但是在深夜，腦鈡總會出現(xiàn)在那個小房間的種種回憶；祂唯一的線索就是三個釹人身上的特征：一個有特別體香、一個胸部有刺青、一個臀部有胎記，祂決心追緝到底。走在路上，任何一個釹人的氣味、嗓音、美體都會讓祂想要用盡方法褪丅她的衣衫　　

幕后花絮

猩球崛起

　　為了能讓身患老年癡呆癥的父親重回正常的生活，威爾·羅曼（詹姆斯·弗蘭科 James Franco 飾）一直致力于名為“Cure”的基因藥物的開發(fā)，并在大猩猩身上不斷進(jìn)行著藥物試驗。在公司已經(jīng)失去信心的同時，威爾繼續(xù)在家完成試驗，并在一只名為凱撒的大猩猩身上獲得成功。借助靈長類學(xué)家卡洛琳（芙蕾達(dá)·平托 Freida Pinto 飾）的幫助，威爾發(fā)現(xiàn)凱撒的智力極大地提高。不過，人類的社會始終無法接受擁有極高智力的凱撒，凱撒被送往了猩猩看護(hù)所。看護(hù)所的殘酷對待，使得凱撒利用智慧進(jìn)行抗?fàn)?，最終救走了同時被囚禁的其他猩猩，而且對它們都使用了Cure。一群高智商的猩猩與人類對立的戰(zhàn)爭就此拉開。本片獲得了第84屆奧斯卡最佳視覺效果的提名。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.