在線看
同款熱播
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內(nèi),杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對于音樂家雷米（帕特里克·迪瓦爾 Patrick Dewaere 飾）來說，日子變得越來越不好過，不僅僅是職業(yè)上的停滯不前，妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個(gè)節(jié)骨眼上，妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫，而妻子留下的14歲的繼女瑪麗安（阿里爾·貝西 Ariel Besse 飾）也成為了一個(gè)包袱?，旣惏驳纳赶電Z回瑪麗安的撫養(yǎng)權(quán)，沒想到，小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下，這對沒有血緣關(guān)系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白，雷米從最初的果斷拒絕到之后的欲拒還迎，他能否守住倫理道德的最后一條底線呢？
愛的藝術(shù)2020
韓海印,?????? ?? ??? ????? ??? ???? ??? ? ?? ?? ?????? ???? ??? ????? ?? ???. ???, ??? ??? ???? ‘??? ??’ ????? ?? ????? ??? ????? ?? ??? ?? ??? ‘??’? ?? ????? ??? ?? ?? ??? ??? ??. ??? ??? ??? ??? ?? ???? ??? ????? ??? ?? ?? ?? ?? ??? ??? ? ??? ?????. ?? ??? ??? ? ?? ? ??? ??? ????? ??? ??? ??? ?? ?? 2019? ?15? ????????? ?? ????? ?? - ??
閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西一名年輕女子在回家途中遭綁架，并被鎖在綁匪家的閣樓里。一年后，在綁匪坐輪椅的母親的幫助下，她制定了逃跑計(jì)劃。
鬼屋行竊
露娜瑪雅,Maxime Bouttier,Agus Kuncoro一名退伍軍人得到一份搶劫房子的工作，但結(jié)果發(fā)現(xiàn)這所房子是 Nyai 的房子，Nyai 是一位小妾，又名 Gundik。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利欲兩心
馬修·麥康納,阿爾·帕西諾,蕾妮·羅素,阿曼德·阿山特,杰里米·皮文,杰米·金,凱文·查普曼一次偶然中，布蘭登（馬修·麥康納 Matthew McConaughey 飾）發(fā)現(xiàn)自己竟然擁有一項(xiàng)如此神奇的特異功能——他能夠準(zhǔn)確預(yù)測出每周末舉行的橄欖球比賽的結(jié)果。這一能力徹底扭轉(zhuǎn)了布蘭登失意而又頹廢的生活，同時(shí)也將他卷入了金錢和利益所構(gòu)造的漩渦之中?！ ∥痔兀ò枴づ廖髦Z Al Pacino 飾）經(jīng)營著一家體育顧問公司，布蘭登的神奇能力在他的眼中無異于是一根點(diǎn)石成金的魔杖。野心勃勃的他找到了布蘭登，千方百計(jì)的說服了后者加入了他的公司。從此，沃特的事業(yè)扶搖直上，布蘭登也在沃特的身上找到了親情和友情。但隨著布蘭登的能力的逐漸流逝，他和沃特之間的關(guān)系也開始了動(dòng)搖。兩人心中都有各自的想法，而最終的贏家只有一個(gè)。