先生！我可以上你嗎？

? 7.7 播放：16萬 2026-04-26

就讀私立名校的21歲女大生美雪在鎮(zhèn)上偶然看到一張打工傳單，因此成為重考生間宮清彥的家教老師。間宮清彥和姊姊智子同住，雖然目前的家教費(fèi)不多，但如果清彥考上第一志願(yuàn)的學(xué)校，美雪就能再收到100萬日幣！儘管覺得事有蹊蹺，美雪還是接下了這份工作，清彥卻只想將美雪當(dāng)成自己的性玩物。他在某次授課中讓美雪喝下自己調(diào)製的安眠藥，在她陷入沉睡後，興奮的清彥開始褪去美雪的衣物，沒想到原本外出的姊姊智子卻突然返家... 　　

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劇情提要

就讀私立名校的21歲女大生美雪在鎮(zhèn)上偶然看到一張打工傳單，因此成為重考生間宮清彥的家教老師。間宮清彥和姊姊智子同住，雖然目前的家教費(fèi)不多，但如果清彥考上第一志願(yuàn)的學(xué)校，美雪就能再收到100萬日幣！儘管覺得事有蹊蹺，美雪還是接下了這份工作，清彥卻只想將美雪當(dāng)成自己的性玩物。他在某次授課中讓美雪喝下自己調(diào)製的安眠藥，在她陷入沉睡後，興奮的清彥開始褪去美雪的衣物，沒想到原本外出的姊姊智子卻突然返家... 　　

幕后花絮

葉塞尼亞

 19世紀(jì)熱情洋溢的墨西哥小鎮(zhèn)，吉普賽女郎葉塞尼亞（杰奎琳·安德瑞 Jacqueline Andere 飾）和伙伴們暢快淋漓歌舞，她高傲聰慧，宛若一株帶刺的玫瑰，由于時(shí)常遭到白人的歧視，因此葉塞尼亞偶爾會(huì)偷錢懲治這幫勢力眼，卻不知道自己擁有怎樣曲折的身世。某天，葉塞尼亞在酒館算命，結(jié)識了自信滿滿的白人軍官奧斯瓦爾多（Jorge Lavat 飾）。一來二去的交往，這對有情男女墜入愛河。愛情的甜蜜與苦澀，令他們飽受折磨。勇敢的奧斯瓦爾多請求吉普賽頭人同意他們的結(jié)合，在葉塞尼亞外婆的點(diǎn)撥和撮合下，這個(gè)狂野女郎最終如愿和奧斯瓦爾多結(jié)為夫婦。幸?？偸嵌虝阂资牛~塞尼亞和丈夫迎來了長時(shí)間的生離死別，他們的愛情也經(jīng)歷了嚴(yán)峻的考驗(yàn)……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.