劇情縱覽
別名:Pensione paura (1977)二戰(zhàn)期間,年輕的羅莎和她的母親跑在意大利鄉(xiāng)村旅館,悼念在她死去的父親的死亡。當(dāng)母親去世神秘的情況下,羅莎發(fā)現(xiàn)自己在她的縱欲過度客人的憐憫,而不是一個(gè)蒙面行兇前,潛伏在酒店的陰影,開始?xì)⑺烂恳粋€(gè)人,試圖傷害羅莎。難道是她死去的父親從死里復(fù)活,以報(bào)復(fù)他的女兒回來了?
別名:Pensione paura (1977)二戰(zhàn)期間,年輕的羅莎和她的母親跑在意大利鄉(xiāng)村旅館,悼念在她死去的父親的死亡。當(dāng)母親去世神秘的情況下,羅莎發(fā)現(xiàn)自己在她的縱欲過度客人的憐憫,而不是一個(gè)蒙面行兇前,潛伏在酒店的陰影,開始?xì)⑺烂恳粋€(gè)人,試圖傷害羅莎。難道是她死去的父親從死里復(fù)活,以報(bào)復(fù)他的女兒回來了?
尤哈(薩卡里·庫(kù)斯曼嫩 Sakari Kuosmanen 飾)和瑪利亞(卡蒂·奧廷寧 Kati Outinen 飾)是一對(duì)生活在幸福和平淡之中的老夫少妻,兩人住在他們經(jīng)營(yíng)的農(nóng)場(chǎng)里,離群索居不問世事。一天,一個(gè)名叫辛麥卡(安德烈·維爾姆斯 André Wilms 飾)的男人來到了農(nóng)場(chǎng),他的車拋錨了。善良的尤哈邀請(qǐng)辛麥卡在農(nóng)場(chǎng)過夜,哪知道就此為自己找了個(gè)麻煩。 原來,辛麥卡是一個(gè)油嘴滑舌的花花公子,他花言巧語(yǔ)誘惑和哄騙了瑪利亞,最終,瑪利亞決定和辛麥卡私奔。然而,來到了大城市后,辛麥卡才露出了自己的真面目,他將瑪利亞賣到了一家妓院里替自己工作。當(dāng)尤哈得知了瑪利亞的近況后,他決定向辛麥卡尋仇。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
奧吉(雅各布·特瑞布雷 Jacob Tremblay 飾)是一個(gè)10歲的男孩,除了頭戴一個(gè)巨大的太空頭盔外,他和其他的同年齡孩子別無二致。頭盔下隱藏了奧吉因?yàn)楦鞣N手術(shù)而傷痕累累的臉龐,它不僅完美的隱藏起了奧吉脆弱自卑的內(nèi)心,也成功的防止了奧吉的模樣嚇到別的孩子。奧吉沒有上過學(xué),他的所有文化知識(shí)都是母親伊莎貝爾(朱莉婭·羅伯茨 Julia Roberts 飾)在家教授給他的。然而,伊莎貝爾漸漸感覺到,家庭課堂無法滿足奧吉的成長(zhǎng)需要,除了學(xué)習(xí)知識(shí),奧吉還必須學(xué)會(huì)的,是如何同除了家人以外的人交流。在憂慮重重之中,伊莎貝爾將奧吉送入了一間公立學(xué)校里,在那里,奧吉面臨的是他人生中必須要戰(zhàn)勝的挑戰(zhàn)。
康納·馬什與他的狗桑迪過著隱居生活,直到有一天他開始玩一款新的、尖端的電腦游戲——OBEX。當(dāng)桑迪失蹤后,現(xiàn)實(shí)與游戲之間的界限開始模糊,康納不得不踏入OBEX這個(gè)奇異的世界,去把她帶回家。