蟾蜍之路
A暫無(wú)內(nèi)容portrait暫無(wú)內(nèi)容of暫無(wú)內(nèi)容contemporary暫無(wú)內(nèi)容youth暫無(wú)內(nèi)容culture,暫無(wú)內(nèi)容where暫無(wú)內(nèi)容the暫無(wú)內(nèi)容lines暫無(wú)內(nèi)容between暫無(wú)內(nèi)容reality暫無(wú)內(nèi)容and暫無(wú)內(nèi)容fiction暫無(wú)內(nèi)容are暫無(wú)內(nèi)容blurred暫無(wú)內(nèi)容with暫無(wú)內(nèi)容often暫無(wú)內(nèi)容frightening暫無(wú)內(nèi)容results.
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劇情提要
A暫無(wú)內(nèi)容portrait暫無(wú)內(nèi)容of暫無(wú)內(nèi)容contemporary暫無(wú)內(nèi)容youth暫無(wú)內(nèi)容culture,暫無(wú)內(nèi)容where暫無(wú)內(nèi)容the暫無(wú)內(nèi)容lines暫無(wú)內(nèi)容between暫無(wú)內(nèi)容reality暫無(wú)內(nèi)容and暫無(wú)內(nèi)容fiction暫無(wú)內(nèi)容are暫無(wú)內(nèi)容blurred暫無(wú)內(nèi)容with暫無(wú)內(nèi)容often暫無(wú)內(nèi)容frightening暫無(wú)內(nèi)容results.
暗夜精選
死亡陰影
Gilles Barret,Margaux Devy,Sylvain Dubois迪瓦塔·繆斯
格吉（殺人鬼）
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????巴黎諜影
約翰·特拉沃爾塔,喬納森·萊斯·梅耶斯,卡夏·斯穆特尼亞克,梅麗莎·瑪斯,Richard Durden,Bing Yin,艾波·羅絲·雷瓦,艾力克·高敦,Fran?ois Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,麗貝卡·達(dá)揚(yáng),Micha?l Vander-Meiren,Didier Constant恩典
托尼·塞爾維洛,安娜·費(fèi)澤蒂,奧蘭多·辛克,馬西莫·文圖列洛,米爾維亞·馬里利亞諾,朱塞佩·蓋亞尼,喬瓦娜·圭達(dá),阿萊西亞·朱利安尼,羅伯托·齊貝蒂,Vasco Mirandola,Linda Messerklinger,Rufin Doh Zeyenouin,Simone Colombari,Alexandra Gottschlich,Lucio Zagaria,Francesco Martino,Tommaso Amadio,Guè Pequeno,Shablo,Fabrizio Bordignon鐵肺
馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾?！ぢ宸蚵蹇?艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡(jiǎn)·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔同系列推薦
總統(tǒng)班底
達(dá)斯汀·霍夫曼,羅伯特·雷德福,杰克·沃登,馬丁·鮑爾薩姆,哈爾·霍爾布魯克,F·默里·亞伯拉罕,簡(jiǎn)·亞歷山大,杰森·羅巴茲迷失禁區(qū)
陳明民,梁鴻,王新宇,金晨曦隱藏殺手2
Raphael Sbarge,Kate Hodge憨豆特工2
羅溫·艾金森,吉蓮·安德森,多米尼克·韋斯特,裴淳華,丹尼爾·卡盧亞,伊川東吾,克里斯蒂娜·鐘,蒂姆·麥克納尼普通事故
瓦希德·穆巴謝里,瑪麗亞姆·阿夫沙里,艾卜拉希姆·阿茲茲,哈迪斯·帕克巴滕,馬吉德·帕納西,穆罕默德·阿里·艾利亞斯梅爾,德?tīng)柆斊潯ぜ{加菲,阿菲桑內(nèi)·納姆巴蒂,喬治·哈什姆扎德,莉安娜·阿茲茲菲死亡回放
海莉·畢曉普,阿默·查達(dá)·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
養(yǎng)鬼吃人6：死亡代碼
在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準(zhǔn)備再次用他的大批的Cenobites給地球上的人們帶來(lái)地獄般的惡夢(mèng)、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來(lái)，準(zhǔn)備再一次跟Pinhead 和Cenobites作戰(zhàn)。