男屌絲遇到女上司

★ 3.3 播放：91萬(wàn) 更新：2026-04-27
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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

大明嬪妃之逐鹿

　　處死朱由樺的當(dāng)天，朱由樺離奇失蹤，梅兒和蘭心都因此受到責(zé)罰。蘭心不顧太子反對(duì)，執(zhí)意要將朱由樺送還給三皇子，卻發(fā)現(xiàn)馬車上的孩子竟然不翼而飛。蘭心和太子感情出現(xiàn)嫌隙，梅兒和金碧瑤使出渾身解數(shù)爭(zhēng)得太子寵愛(ài)。太子和萬(wàn)歷等人到郊外狩獵，有人暗殺太子，梅兒為太子擋下一箭，生命垂危，太子深受感動(dòng)，認(rèn)為欠梅兒太多。上官鴻業(yè)調(diào)查太子行刺事件，卻發(fā)現(xiàn)幕后的真兇并不是眾人猜想的三皇子，而是梅兒。梅兒冊(cè)封當(dāng)天，鄭貴妃揭出了梅兒乃娼妓之女的秘密，讓梅兒不能受封。鄭貴妃趁勢(shì)發(fā)動(dòng)自己的親信彈劾上官鴻業(yè)，蘭心救父心切，卻誤會(huì)太子，兩人再次不歡而散。失蹤多日的朱由樺突然出現(xiàn)在蘭心房中，將朱由樺放入籃子中帶入宮去，卻被梅兒換成了旋兒，蘭心帶“朱由樺，”進(jìn)宮，巧遇為上官鴻業(yè)來(lái)求情的太子，太子再次產(chǎn)生了誤會(huì)。在王恭妃和鄭貴妃的逼迫下，太子提劍殺死了璇兒 ，等知道時(shí)璇兒已經(jīng)沒(méi)有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去，太子策馬追去，卻尋不見(jiàn)蹤影了?；噬弦蕴渝晃徊豢删萌睘橛桑瑑?cè)封大學(xué)士王中澤之女王氏為太子妃。

草迷宮恐怖殺人事件

　　一處廢棄草叢，發(fā)生一系列詭異的殺人魔連環(huán)殺人事件，讓警探阿邦（瓊姆芭絲康飾演）展開(kāi)調(diào)查。某夜，他們遇到喬伊絲（吉蓮維琴西奧飾演）與她的一群朋友，揚(yáng)言要在這片草叢中上哀悼慘遭殺害的親友，實(shí)際上她們也是為了調(diào)查這一連串真相，而來(lái)到了這片草叢。兩邊人馬開(kāi)始在草叢中搜尋，竟意外發(fā)現(xiàn)殺人魔可能并非人類，更像是神秘的超自然力量；而另一位神秘人物史蒂芬（克里斯多夫加西亞飾演），則掌握著這個(gè)超自然殺手魔的關(guān)鍵真相…。