　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

還魂之迷失曼谷

　　林美嘉（李昕蕓飾）、安曉晨（李媛飾）和陳宇林（范逸臣飾）大學(xué)時(shí)代便認(rèn)識(shí)的好友，曉晨與宇林更是親密的情侶。畢業(yè)后這對(duì)閨蜜共同進(jìn)入一家服裝設(shè)計(jì)公司，在殘酷的職場(chǎng)中果敢自信的曉晨扶搖直上，很快成為一支團(tuán)隊(duì)的負(fù)責(zé)人，這讓美嘉心中難免有所芥蒂。某次二人受公司指派去泰國(guó)尋找素材，希望轉(zhuǎn)運(yùn)的美嘉堅(jiān)持要去某個(gè)偏僻所在向法師求佛牌。此后，兩人在泰國(guó)遭遇離奇火災(zāi)，曉晨命喪異國(guó)他鄉(xiāng)，美嘉則僥幸逃生，但失去了泰國(guó)之行的所有記憶。身為心理醫(yī)生的宇林固然傷心，同時(shí)希望通過(guò)自己的專(zhuān)業(yè)技能幫助美嘉走出陰影?！　】墒沁@番治療絲毫沒(méi)有效果，美嘉被恐怖的幻覺(jué)所困擾，情況愈演愈烈……

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