三個(gè)巢穴

重案·無罪

張?zhí)炱?步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學(xué)賢,張嘉飛,張苡寧

本片講述了重案組組長(zhǎng)張晨峰被余建明陷害成殺人兇手后，張晨峰被捕后，在刑偵專家周楊與重案組成員的努力 下，成功將真正的連環(huán)殺人案的 兇手緝拿歸案的故事。

遠(yuǎn)山淡影2025

廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻

1982年，英國。一位年輕有抱負(fù)的日英混血作家準(zhǔn)備書寫其母親——1952年，英國。戰(zhàn)后移英的日本婦人悅子，因長(zhǎng)女自殺而憶起在長(zhǎng)崎的最后一段時(shí)光。悅子與婦人幸子相遇，幸子也準(zhǔn)備和女兒出國，對(duì)新生活翹首以待。然而，作家在拼湊線索及母親的記憶碎片時(shí)，漸漸發(fā)現(xiàn)母親的記憶與現(xiàn)實(shí)相左.…..石川慶改編諾貝爾文學(xué)獎(jiǎng)得主石黑一雄早年同名原著，雙線刻劃戰(zhàn)后女性掙扎求存之境，表面平靜實(shí)質(zhì)波瀾不休，折射出大時(shí)代下壓抑而沉重的集體記憶與痛苦。

遺忘尼克

英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格

　　故事發(fā)生在車水馬龍的繁華大都市紐約，嘉德（英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾）是一名職業(yè)模特，擁有性感的身材和天使般的容貌，活躍在時(shí)尚秀場(chǎng)和雜志的封面之上?，斃麃啠巍と鹇?Katja Riemann 飾）性格溫柔又賢惠，獨(dú)自撫養(yǎng)著孩子，是一位堅(jiān)強(qiáng)而又樂觀的單身母親。這看似八竿子打不到一起的兩人，她們的生命卻因?yàn)橐粋€(gè)名叫尼克（哈魯克·比爾吉納 Haluk Bilginer 飾）的男人而被牢牢的拴在了一起，她們都曾瞎了眼和尼克有過一段失敗的婚姻，而根據(jù)婚前協(xié)議，兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中。　　兩個(gè)性格迥異的女人之間，戰(zhàn)爭(zhēng)一觸即發(fā)。

分裂: 黑色子彈

山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利

　　對(duì)警察槍擊、種族主義和他們共同的聯(lián)系進(jìn)行原始的、毫無歉意的審視。沒有說明我們知道答案，但不害怕直接提問。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

翠湖

李振平,王娟,李紅梅,劉蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,張會(huì)苓,張英偉

影片講述了昆明翠湖畔的一段家庭往事。老人樹文在喪妻后想要重啟人生新的情感階段，卻與女兒們爆發(fā)沖突，在這場(chǎng)沖突中讓他看清自己在家庭里的“缺位”，也促使他重新承擔(dān)起家長(zhǎng)的責(zé)任，在直面三代人，三個(gè)家庭之間深藏的遺憾與隱痛的過程中，展開了一段尋求和解的溫情旅程。

忘我星途

Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro

　　A narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.