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瘋死
Lucille Guillaume,Lewkowski Yovel,Laurie PavyA teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器，卻意外地發(fā)現(xiàn)這臺儀器擁有強大的商業(yè)價值，最終四人相互爭斗的局面?！独坠堋肥菍а菔捕?卡魯斯(ShaneCaruth)首次執(zhí)導的劇情長片，該片由他自己投資，并身兼編劇、導演、主演數(shù)職，體現(xiàn)出獨立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當于一輛富康車的價錢……
最后命令
埃米爾·雅寧斯,艾弗琳·布倫特,威廉·鮑威爾一個臨時演員被召去在一部關于俄國革命的電影中扮演一名將軍,然而,他并不是一位普通的臨時演員,他就是謝爾蓋·亞歷山大,尼古拉斯沙皇時期的一位前將軍。他在1917年共產主義革命后從俄國軍隊里逃到了好萊塢?，F(xiàn)在,為了使電影的導演,一個也曾參加過俄國革命的人滿意,他被迫要去重新 經歷那一段曾帶給他無窮苦痛的生活。這一次,這個倒霉的將軍有機會去“贏得”那曾經一敗涂地的戰(zhàn)役。電影閃回到亞歷山大在俄戰(zhàn)中的艱難生活。他感到無論他怎樣努力,似乎都無法阻止歷史的車輪滾滾向前。但是有一個女孩理解他,因為他的強烈的愛國精神和正派的行為,這個女孩愛上了他……
嘔吐戈爾：殺戮
本片是關于一個被自己的父母拋棄的女孩的故事，14歲就離家出走的她，被當?shù)氐囊粋€牧師收養(yǎng)了。后來，她所遇到的人，將會給她本來就很悲慘的命運帶來怎樣的影響呢？對于安吉拉.阿卜迪恩來講，為了她，他寧愿犧牲自己也要與撒旦達成死亡契約，這樣就可以讓她靈魂永生，為了報仇，她先去把那牧師的教堂燒成了焦土，而牧師因為喝多了而死在了教堂里?？墒呛髞恚齾s在都市的燈紅酒綠中染上了毒癮和酒癮，殊不知，她的腳已經邁入了地獄之門…從做了艷舞女郎到做妓女，發(fā)現(xiàn)毒癮已讓她無法自拔，甚至他覺得撒旦也拋棄了她 。
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被冊封，姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚，情急之下，梅兒說出蘭心并沒有死，并回憶：原來蘭心并沒有瘋，因為她無法面對太子，請求梅兒放她走，于是梅兒送走了蘭心，并說出蘭心一直住在蓮花庵。王恭妃不顧病體，拼死懇求蘭心歸來，蘭心最終答應了王恭妃。后王恭妃逝世。鄭貴妃安排萬歷并不知情。蘭心趁機偷偷面見，告知王恭妃的死訊，最終蘭心去了吉壤，半夜三更，道士刺殺太子，梅兒追蹤，結果摔下山，蘭心趕到，救了太子，太子暈迷，并在山下發(fā)現(xiàn)了梅兒……太子醒后與蘭心相認了，后來蘭心無意中說漏嘴，無奈告訴了太子事實的真相，太子傷心欲絕。萬歷把鄭貴妃叫到跟前，斥責對王恭妃的死訊隱瞞不報，并且萬歷知道鄭貴妃派人行刺一事， 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃