苦藥丸

3.7 播放:92萬(wàn) 2026-04-27
主演:Jonathan Slavin Scotch Ellis Loring 

一名同志在自愿接受一項(xiàng)具有爭(zhēng)議的醫(yī)學(xué)研究實(shí)驗(yàn),服用了一種能令同志轉(zhuǎn)變?yōu)楫愋詰倌腥说乃幬镏?,他將自己的生活和朋友關(guān)系推向了混亂不堪的境況。

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文斯·沃恩,詹姆斯·麥斯登,艾莎·岡薩雷斯,凱斯·大衛(wèi),斯蒂芬·魯特,吉米·塔特羅,埃米麗·漢普希爾,劉易斯·陳,本·施瓦茨,阿圖羅·卡斯特羅,迪倫·普萊費(fèi)爾,大衛(wèi)·湯姆林森,保羅·程,凱特琳·貝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普

兩個(gè)黑幫大佬和他心愛(ài)的女人,度過(guò)人生中最玩命的一夜求生戰(zhàn)。一部“時(shí)光機(jī)”的出現(xiàn),令這一夜瞬間變成時(shí)空錯(cuò)亂的鬧劇……

啄木鳥(niǎo)和雨

役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努

  寧?kù)o的山村進(jìn)入雨季。村中的老伐木工人岸克彥(役所廣司 飾)為人古板,與兒子關(guān)系緊張。他在上工途中給東京來(lái)的新人導(dǎo)演田邊幸一(小栗旬 飾)和副導(dǎo)演帶路,由此被拉入一部喪尸電影的外景拍攝。在被迫充當(dāng)臨時(shí)演員后,克彥竟對(duì)電影產(chǎn)生了微妙的興趣,他開(kāi)始不請(qǐng)自來(lái)的幫助攝制組與村民溝通,開(kāi)展工作,甚至忽略了本職與妻子的忌日?! ⊥蝗魂J入的攝制組擾亂了山村的平靜和克彥的生活,也改變了導(dǎo)演幸一自身。幸一生性靦腆缺乏自信,在攝制組中毫無(wú)威信。偶然間他發(fā)現(xiàn)自己的喪尸劇本竟為克彥所欣賞,不禁大受鼓舞,兩人在數(shù)次的泡澡時(shí)間里進(jìn)行了奇妙的溝通。在克彥的幫助下,幸一慢慢樹(shù)立了自信,電影拍攝也步入正軌。然而臨關(guān)機(jī)前的一場(chǎng)瓢潑大雨再次令拍攝陷入危機(jī),克彥的缺席也令幸一惶恐無(wú)措起來(lái)……  影片獲第24屆東京國(guó)際電影節(jié)評(píng)委會(huì)大獎(jiǎng)。片中兩位主演役所廣司和小栗旬在現(xiàn)實(shí)中亦均擔(dān)任過(guò)導(dǎo)演。

阿里

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  阿里曾是一位年輕的教師,他辭去了工作,卻被父親無(wú)情地趕出了家門(mén)。在感到迷茫和孤獨(dú)之際,他重新找到了舊友,這一舉動(dòng)觸發(fā)了他一段深刻的自我探索之旅。

變態(tài)殺手

喬治娜·坎貝爾,詹姆斯·普雷斯頓·羅杰斯,馬爾科姆·麥克道威爾,洛根·米勒,Grace Dove,艾倫·默克,Joshua Banman,Cassandra Ebner,達(dá)倫·馬爾滕斯,辛妮·比斯頓,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凱文·麥金太爾,Robert Nahum,Yan Joseph,Brodie Sanderson

 The story follows a nameless murderer, wearing a nightmarish mask, randomly murdering people across the U.S. in an attempt to secure his passage to hell. A patrolman’s pregnant wife, a fellow police officer, witnesses the killer murdering her husband and seeks to bring his to justice

沉默的鏡像

蒂莫西·赫頓,費(fèi)爾南多·古林·庫(kù)弗,米格爾·安赫爾·西爾維斯特

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公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.