艾曼紐2 愛(ài)的教育 Emmanuelle: L'antivierge

評(píng)分:2.7 播放:52萬(wàn) 更新:2026-04-24

本片講述了Emmanuelle和老公在香港游歷的故事,領(lǐng)略了一番東方風(fēng)情畫,在炎熱的香港一個(gè)飛行員和法國(guó)小女孩逐步步入了他們生活……

劇情簡(jiǎn)介

本片講述了Emmanuelle和老公在香港游歷的故事,領(lǐng)略了一番東方風(fēng)情畫,在炎熱的香港一個(gè)飛行員和法國(guó)小女孩逐步步入了他們生活……

為你推薦

再見(jiàn)六月

凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費(fèi)塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler

  故事發(fā)生在圣誕節(jié)前夕,母親的健康突然出狀況,讓四名成年子女和他們令人頭痛的父親慌了手腳,面對(duì)可能即將發(fā)生的失去,家庭氣氛也混亂失衡。但聰明的母親六月處變不驚,以犀利的幽默、坦率的態(tài)度和豐沛的愛(ài),安排好自己的人生謝幕。

金剛的逆襲

寶田明,羅茲·利森,濱美枝,琳達(dá)·米勒,天本英世

  60年代的日本人似乎對(duì)這個(gè)大黑猩猩情有獨(dú)鐘,在玩遍了各種哥斯拉的故事之后,依然將金剛的神奇遭遇不停地向人們展示、炫耀。光看他的故事就能讓人嚇一跳:科學(xué)家制造出了一個(gè)機(jī)械金剛,用來(lái)在北極挖掘神秘的X元素,與此同時(shí)邪惡的博士綁架了真正的金剛,令其干同樣的活,因此,機(jī)械金剛與原形之間的連番惡斗就在所難免了。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

脆弱的男人

亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫(kù),蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內(nèi)斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen Kelif

Az 在 Sète(法國(guó)南部)的一個(gè)牡蠣養(yǎng)殖場(chǎng)工作,他非常熟悉牡蠣,曾打開(kāi)過(guò)成百上千個(gè),一天,他決定藏一枚戒指在其中一只牡蠣中,向他的女友 Jess 求婚,但是對(duì)方?jīng)]有答應(yīng)。不過(guò)幸運(yùn)的是,他的一群朋友已經(jīng)準(zhǔn)備好幫他重新振作起來(lái)。                                                                        Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.

瀉湖惡棍

珍娜·卡蘭,格雷格·多爾查克,托里·埃利斯

  一位悲痛欲絕的年輕女子必須面對(duì)她內(nèi)心深處的恐懼和一種致命的水生生物,努力證明湖底的恐怖是真實(shí)存在的。

四川好女人

何葦杭,趙若冰

We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.

看不見(jiàn)的愛(ài)人2025

鐘熙,侯偉杰,陳彥霓

攝影師榮格偶遇前女友洛依,尾隨她回家后便悄然居住在這個(gè)房間里,偷窺著洛依的一舉一動(dòng)。洛依時(shí)常會(huì)帶不同的男人回家,但都被榮格悄無(wú)聲息的黃了。隨著時(shí)間的推移,榮格在房間里的狀態(tài)愈加放松,馬腳也漸漸露的多了,洛依越來(lái)越感覺(jué)到房間里有榮格的存在