性福幫幫忙
彩媛為了結(jié)婚而與情侶仲介朱諾見(jiàn)面，進(jìn)行商談。暫無(wú)內(nèi)容對(duì)於沒(méi)做好準(zhǔn)備卻想要和有錢男人結(jié)婚的彩媛來(lái)說(shuō)，朱諾提議要培養(yǎng)性愛(ài)技巧。暫無(wú)內(nèi)容昌俊也因爲(wèi)結(jié)婚，與情侶仲介佳仁見(jiàn)面進(jìn)行商談，且佳仁不斷勸迷戀於虛擬性幻想對(duì)象的昌俊與現(xiàn)實(shí)的人相遇，並傳授了性愛(ài)技巧。暫無(wú)內(nèi)容就這樣在朱諾和佳仁的安排，下彩媛和昌俊見(jiàn)面了，就在兩人打算到汽車旅館翻雲(yún)覆雨時(shí)，雙方的情侶仲介卻……
劇情簡(jiǎn)介
彩媛為了結(jié)婚而與情侶仲介朱諾見(jiàn)面，進(jìn)行商談。暫無(wú)內(nèi)容對(duì)於沒(méi)做好準(zhǔn)備卻想要和有錢男人結(jié)婚的彩媛來(lái)說(shuō)，朱諾提議要培養(yǎng)性愛(ài)技巧。暫無(wú)內(nèi)容昌俊也因爲(wèi)結(jié)婚，與情侶仲介佳仁見(jiàn)面進(jìn)行商談，且佳仁不斷勸迷戀於虛擬性幻想對(duì)象的昌俊與現(xiàn)實(shí)的人相遇，並傳授了性愛(ài)技巧。暫無(wú)內(nèi)容就這樣在朱諾和佳仁的安排，下彩媛和昌俊見(jiàn)面了，就在兩人打算到汽車旅館翻雲(yún)覆雨時(shí)，雙方的情侶仲介卻……
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731
姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇1945年抗戰(zhàn)勝利前夕，侵華日軍第七三一部隊(duì)在哈爾濱平房區(qū)以“給水防疫”為名，秘密進(jìn)行慘無(wú)人道的細(xì)菌戰(zhàn)研究，大肆抓捕平民進(jìn)行活體實(shí)驗(yàn)，妄圖以此扭轉(zhuǎn)敗局。小販王永章（姜武 飾）等人被強(qiáng)行抓入“特設(shè)監(jiān)獄”，日軍以“配合健康檢查與防疫研究即可換取自由”的虛偽承諾，欺騙他們?cè)馐軆鰝麑?shí)驗(yàn)、毒氣實(shí)驗(yàn)、活體解剖等極端折磨…… 影片通過(guò)平民視角揭露日軍反人類暴行，展現(xiàn)絕境下國(guó)人不屈的反抗精神，旨在讓世人銘記歷史，勿忘國(guó)恥，捍衛(wèi)和平。
塘鵝暗殺令
朱莉婭·羅伯茨,丹澤爾·華盛頓,山姆·夏普德,約翰·赫德,托尼·戈德溫,詹姆斯·希金,威廉·阿瑟東,羅伯特·考普,斯坦利·圖齊,休姆·克羅寧,約翰·利思戈,安東尼·希爾德,尼古拉斯·伍德森,斯坦利·安德森,約翰·芬兩名高等法院的法官遭殺手謀殺，法學(xué)院高材生達(dá)比（朱莉婭?羅伯茨 Julia Roberts 飾）隨后開(kāi)始調(diào)查此案，起草一份該案的報(bào)告，名為《塘鵝報(bào)告》。達(dá)比找到了記者格蘭（丹澤爾?華盛頓 Denzel Washington 飾），因?yàn)樗亲詈笠幻?jiàn)到其中一名法官的人，希望能得到他的幫助調(diào)查此案。一天格蘭接到了一個(gè)神秘人來(lái)電，此人自稱知道誰(shuí)是該案兇手，格蘭跟蹤到了此人，可惜未能攔下他。 此時(shí)，總統(tǒng)暗中命令相關(guān)人士不要插手此案。格蘭由此起疑，隨后調(diào)查到了總統(tǒng)和馬氏集團(tuán)關(guān)系密切，而且一切證據(jù)都表明，馬氏與兩位法官的死有著千絲萬(wàn)縷的關(guān)系！
不良教育2004
蓋爾·加西亞·貝納爾,費(fèi)雷·馬丁內(nèi)茲,丹尼爾·希梅內(nèi)斯·卡喬,路易斯·奧馬,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·費(fèi)爾南德斯,納喬·佩雷斯,哈維爾·卡馬拉,阿爾維托·費(fèi)雷羅,佩特拉·馬丁內(nèi)斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德羅·阿莫多瓦,波爾·莫南,薩拉·蒙鐵兒,蕾歐諾·瓦特林,何塞·馬利亞·亞茲皮克恩里克（費(fèi)雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會(huì)學(xué)校的同學(xué)，更是一對(duì)同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開(kāi)了教會(huì)學(xué)校。這對(duì)同性戀人也就勞燕分飛?！ 〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶?dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長(zhǎng)經(jīng)歷加上想象的成年經(jīng)歷，恩里克對(duì)劇本十分感興趣，但卻不同意由伊格萊西奧出演?！ ‘?dāng)恩里克來(lái)到伊格萊西奧的家鄉(xiāng)時(shí)，秘密一幕幕揭開(kāi)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迪瓦塔·繆斯
一位菲律賓祖母即將步入晚年，她放棄了自己的八十歲生日聚會(huì)，去召喚她早已去世的孫女的靈魂，試圖通過(guò)壓抑的記憶來(lái)彌補(bǔ)過(guò)去的過(guò)錯(cuò)。
驅(qū)魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當(dāng)·戈德堡,亞德里安·帕斯達(dá),戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克芮安·辛普金斯([布里斯比熊])、克洛伊·貝利(《成長(zhǎng)不容易》)加盟，羅素·克勞主演的米拉麥克斯打造的超自然驚悚片[喬治城項(xiàng)目](The Georgetown Project，暫譯)。約書亞·約翰·米勒、M·A·福廷自編自導(dǎo)?？藙趯椦菹萑肜Ь车难輪T安東尼·米勒，他在拍攝一部恐怖片的時(shí)候，開(kāi)始變得不安。與他疏遠(yuǎn)的女兒(芮安飾)想知道他是不是再次毒癮發(fā)作，還是遭遇了什么邪惡的東西?？寺逡溜椦葸@部恐怖片中的女演員。影片目前在華盛頓拍攝中。
奔跑的犀牛
張釗,張揚(yáng),劉哲生活如同一只橫沖直撞的犀牛，它打破你所有的計(jì)劃，破滅你所有美好的希望，一步步的把你頂入絕境。 你是坐以待斃還是奮起反擊？ 快遞員英雄在城市里拼搏多年，只為買房和女友結(jié)婚。不料，他的錢卻被壞人所騙。 英雄一路追擊尋錢，卻無(wú)意中卷入了三伙壞人的交易之中，女友小美也被綁架，命懸一線，他的生活徹底陷入絕境。英雄選擇了絕地反擊，運(yùn)用勇敢和智慧，在壞人間展開(kāi)了一場(chǎng)斗智斗勇的大戰(zhàn)。