2003赤裸天使

★ 4.0 播放：13萬 更新：2026-04-25

講述了死后被創(chuàng)世者要求回到人間的羅天翅，為了永居天堂，想方設(shè)法在七天內(nèi)找到另一半的故事。

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講述了死后被創(chuàng)世者要求回到人間的羅天翅，為了永居天堂，想方設(shè)法在七天內(nèi)找到另一半的故事。

導(dǎo)演精選

偶像活動！×美妙天堂 THE MOVIE -相遇的奇跡！-

《10周年記念！》                                                                      　　大人気アイドル 奇跡のコラボレーション!!                                                                      　　“10年分の愛”と“10年分のありがとう”をいっぱいに詰め込んだ、夢のプロジェクト始動！                                                                      　　新作ストーリー＆新作ライブの完全オリジナル映畫

紅衣詭村之幻·謎

　　鄭家村，突然發(fā)生了一系列似怪異的事件。 眾人來到鄭家老宅，鄭浩民在了解情況后，特邀請曾經(jīng)的同事，考古學(xué)教授張信安前來一同進(jìn)行科學(xué)調(diào)查。 張信安等人來到鄭家村與鄭浩民等開展了一系列的調(diào)查工作。 張信安在觀察了鄭家老宅后，從科學(xué)依據(jù)做出判斷，鄭家老宅四面環(huán)山傍水，陰濕氣重，在地理上形同一個低洼混區(qū)，導(dǎo)致磁場混亂，各種正常人感知不到的微弱電波無法散發(fā)。 就在調(diào)查即將接近真相的時候，兩位教授遭受莫名攻擊，陷入可怕幻覺，導(dǎo)致兩人當(dāng)場昏迷。 事態(tài)進(jìn)一步惡化，破開迷霧的重任壓在了韓斌和張紫涵這一對年輕戀人身上。 韓斌在經(jīng)過一系列的詭異后終于找出緣由。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster