四美尋春
四名年輕女性來(lái)自歐洲和亞洲，最近在英格蘭抵達(dá)，開始他們新的就業(yè)機(jī)會(huì)，互惠生。他們能快速找到英語(yǔ)是不是悶和穩(wěn)重，因?yàn)樗鼈兂霈F(xiàn)，和小姐們很快花更多的時(shí)間在床上比對(duì)工作。
即刻觀影
劇情賞析
編輯推薦
非傳統(tǒng)浪漫關(guān)系
朱顏曼滋,任彬,趙小棠,王天放,于謹(jǐn)維,王勁松,金廣發(fā),王勉,顏安,趙夕汐,孫丞瀟 ,張帆,錢迪迪,汪曲攸,鄧飛,于小彬,丁文博,牛犇,葛兆美情感博主祝君好（朱顏曼滋 飾）與在民政局工作的龔璽（任彬 飾），兩個(gè)本該最懂“愛(ài)”的人，卻在520這天領(lǐng)了離婚證。面對(duì)毀不掉的婚紗照和分不清的牽絆，兩人一拍即合，決定開啟一段“非傳統(tǒng)”的高效關(guān)系——互給對(duì)方介紹對(duì)象！然而相親局逐漸失控，龔璽重逢了自己曾經(jīng)的相親對(duì)象紀(jì)小舒（趙小棠 飾），祝君好則遇上了前任向涵（王天放 飾），還有“八離世家”的霸總和“懂王”附體的弟弟。這對(duì)“離婚搭子”在互坑與互助之間，開始重新審視自己的親密關(guān)系，也意外踏上了一段關(guān)于“愛(ài)”的二次探索。
迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗公元22世紀(jì)，因?yàn)槿丝谶^(guò)度膨脹、過(guò)度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去，就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當(dāng)時(shí)最先進(jìn)的太空飛船，去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜（威廉·赫特 William Hurt 飾）一家被選中擔(dān)負(fù)起了這次探索使命，他們將用10年的時(shí)間前往阿爾法星球?？墒?，這次擔(dān)負(fù)起全人類命運(yùn)的任務(wù)卻有反對(duì)的聲音，部分邪惡勢(shì)力妄圖阻止這次任務(wù)。所以，當(dāng)羅伯遜一家駕駛太空船剛進(jìn)入太空的預(yù)定軌道時(shí)，反對(duì)派史密斯博士暗中進(jìn)行破壞，導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢(shì)力的阻撓，不知名星球上的種種危機(jī)，如何才能重新設(shè)定新的航線……各種問(wèn)題困惑著羅伯遜一家，他們真的就此迷失太空，無(wú)法到達(dá)目的地了嗎？人類的命運(yùn)將何去何從？
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經(jīng)歷后回到法國(guó)，鋼琴家馬蒂亞斯·福格勒將再次與他的導(dǎo)師埃倫取得聯(lián)系，為一場(chǎng)音樂(lè)會(huì)做準(zhǔn)備。在一座公園里，他將邂逅一個(gè)與自己長(zhǎng)得一模一樣的孩子，而這個(gè)孩子會(huì)把他引向克洛丁——一位他曾在某個(gè)時(shí)代深愛(ài)過(guò)的女人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不過(guò)是上班
吳俊霆,李孝謙,安娜,周德華,合文俊,小愛(ài),帕賽,孫天宇,李逗逗,李川,丁冠森,王藝禪,陳思斯一旦領(lǐng)導(dǎo)冒出一句“什么狗屁方案”，你的人生就將陷入無(wú)盡循環(huán).....重復(fù)的職場(chǎng)里，有人摸魚擺爛，有人趁機(jī)搞事，直到同事離奇 “消失”，他才發(fā)現(xiàn)循環(huán)背后藏著公司要命的秘密——想活下來(lái)，得先在重復(fù)的日子里找到出路……
長(zhǎng)春花園
趙胤熙,金周靈,許棟元,鄭仁謙昭熙（趙胤熙 飾）的幸福家庭一夕變調(diào)，不僅目睹丈夫昌秀（許棟元 飾）在眼前上吊，腹中寶寶也不幸流產(chǎn)。尚未走出喪偶傷痛的她不顧姐姐惠蘭（金姝憐 飾）勸阻，搬到丈夫留給她的一棟郊區(qū)花園別墅，但昭熙入住后，發(fā)現(xiàn)這棟房子充滿揮之不去的恐懼詭異感，仿佛有某種毛骨悚然的存在正在詛咒著自己，隨著駭人命案接二連三發(fā)生，這棟別墅的秘密似乎也被慢慢揭開…